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Saturday, October 16, 2010

Writing Space Week: The Texas Edition

by
Scott D. Parker

When I made the decision to start writing stories, I dreamed of a place, a perfect place, to write. What I got was a lesson.

What I wanted was to find--or, rather, create--the perfect space. In my head were visions of rooms with dark paneling, floor to ceiling shelves lined with thick, leather-bound volumes, and a massive wooden desk complete with blotter, ink well, and old paper. Not a smoker, I wondered if I could find incense with the essence of tobacco, just to give this fantasy room the final nudge. Not a hunter, I thought about buying random stuffed heads of wild animals.

Then, reality. At the time, I didn't have a space that could be wholly devoted to my writing. We had a guest room and, in a corner, I had a space. It was right next to the closet, one with accordion doors that pinioned outward into the room. With my small desk, half of the closet door would not be able to open. On this desk (really a converted server table I bought from my company) I had my old Mac PowerBook, ergonomic keyboard, and mouse. Setting this machine up for wireless Internet was possible, but it was a pain, so I rarely did it. In this little niche, I wrote my first novel.

There was a consistent problem, however. Whenever guests arrived, me and my gear would be evicted to another part of the house. Frankly, it irritated me, but what could I do? It was during one of those times in the domestic wilderness that I realized what I didn't need: the perfect place to write.

Like Dave mentioned on Thursday when he described his writing space, I’ve learned to write in just about any place I can. When I go on vacations, I make it a rule not to take my newer MacBook Pro. I use paper and pens. It allows me to continue the composition, but not be chained to my computer during vacations. One of those vacations (to Bandera, Texas), we stayed at a rustic bed and breakfast. It had a separate bedroom, a living room, and, in one corner, an old school writing table. I wrote every night on that table and fell in love with it. Upon our return, I put a call in to my dad, the son of a carpenter and quite a fine craftsman himself. I described the writing table and asked if he could build me one.

BERJAYAWell, he did. This is it, in the Room Formerly Known As The Guest Room. We converted our front room to a guest room, thereby finally giving me an honest and for true Writing Room. And, yes, that’s what we call it in the house. There, on the left part of the desk, is my modest To Be Read stack. I have taken to keeping it somewhat short so I can actually complete it. Notice the non-paperback there: my autographed copy of Russell McLean’s The Good Son. The white stack of paper is the draft of a current collaboration I’m working on with another writer. The one sheet of yellow paper is my goals for the fall. The pencil cup on the left is one I made. It has a simple mantra: “Just write.” The photo is of my two cats, both of whom died within two months of each other this year. My son placed it there and I’ve yet to move it. The Bluetooth keyboard there in the middle is linked to my iPod Touch. Yes, I write on the iPod Touch. I use the new PlainText app (from Hog Bay Software) that links to my Dropbox folder. Therefore, I’m never far from a writing surface (be it electronic or the notecards I sometimes carry around). That wooden stool on the floor is for my feet when I’m blazing away. Oh, and that framed picture on the wall? That’s a copy of the news piece I wrote remembering David Bloom. It’s my first piece I officially published.

Now, you may be wondering where my MacBook is. Well, it’s still there. I move it to my writing desk when I want to sit and write. Other times, however, it lives at my standing desk. I have discovered the joy of standing to write. It's exciting, it keeps me focused,BERJAYA and, during exciting action scenes, I actually started tapping my foot and shifting my weight back and forth. I built a small stand to raise the level of the screen while being opening underneath to keep the machine cool. There’s my mouse and ergonomic keyboard. On the right, tacked to the wall, is my large sheet of paper where I write all my story ideas. That bookshelf on the left was built by my grandfather. And, yes, that is my set of longhorns I earned by being in the University of Texas Longhorn Band for five years. Hook 'em!

So, that’s my writing space at home. But, as I’ve written here before, I can and do write anywhere on anything. I write on the iPod when standing in line at the grocery. I write on notecards when I'm out and don't have my iPod with me. I keep a notebook in my car to jot down ideas. I write at home, at night, on my writing desk or at my standing desk. No, my writing space is not a wood-paneled room, but I've learned that I don't really need that, either.

Friday, October 15, 2010

The Call of Fall

by
Tom Piccirilli


It's autumn again. I've lived through 45 of them now, and most of those in the last decade seem to bring on bouts of reverie and bursts of creativity. It's the time of year when, in the current thrashing of my mid-life crisis, I find myself growing the most sentimental. For what I'm not sure–there's just a rampant nostalgia ferried in by the season. It's when I reminisce about friends gathering at the wooded borders of dead-end streets. When the world and the night seemed to be impressing themselves on me the most. When the turbulent waters of the Great South Bay called, and the wind reached out. It's when my old man kicked off, when the clawing back yard trees beckoned. You feel it too, some of you, or have, or will. It's that time when you wait jubilantly for snowfall. When you can smell history in the air. Your own and everyone else's.

When my literary tastes, both reading and writing-wise, moved from horror towards crime a few years back, I found myself forced to shift my attitude about certain elements and tropes as well. I had to learn to alter my descriptions of October from a month of monsters and terror to a month of noir...and terror. The implications of dread could now be found in hardboiled themes, the same themes I'd been writing about my entire career, but now with the added zing of realism. I had to reframe my descriptions and search for new details. Or at least find a new way to discuss the things I'd been addressing for years in a different genre.

As I gear up to start a new novel I can feel the drag of the past weighing down my mood. Which, ironically enough, is a good thing for a crime writer, I suppose. At least for me. Reflecting on my own regrets and disappointments will fuel the work. Scratching at the wounds keeps them bleeding, keeps them open and active. When I watch the little kids tramping up my front walk dressed as princesses and goblins this Halloween, I know I'll be thinking of the children I never had. The mediocre dreams that never came true, the average efforts that floundered out. The failures that sit beside me, the mistakes that hiss in nightmares. The need to revisit and hammer at troubling issues.

That's what the call of fall does to me, friends. How about you?

Tom Piccirilli is the author of twenty novels including SHADOW SEASON, THE COLD SPOT, THE COLDEST MILE, and A CHOIR OF ILL CHILDREN. He's won two International Thriller Awards and four Bram Stoker Awards, as well as having been nominated for the Edgar, the World Fantasy Award, the Macavity, and Le Grand Prix de L'imagination. Learn more at: www.thecoldspot.blogspot.com

Thursday, October 14, 2010

Hey! Get outta my workspace

By Dave White

Sorry. Not a fancy guy here. No desks, no posters, no bookshevles. Just a laptop and a couch.

I used to write in an office in the corner of my parents' basement. I used an old IBM Aptiva that had been in the family since 1995. I graduated to writing on a DELL in the same corner.

Then I moved out and got myself a nice Dell Inspiron, and my own room. I set up a desk in that room, against a wall, my back to the TV and the rest of the room. Since then I've bounced all over the place. often, though, I've found myself writing on couches.

Now that I've moved in with my wife, I usually write like this:

BERJAYA

Sometimes, if I feel like sitting up, I'll rest the laptop here:

BERJAYA

I don't really have many options right now. I need to write in house--at least when I'm drafting--because I need the wifi. Beyond that, I write where I can. Would I rather have an office with bookshelves behind me or cool photos surrounding me? Absolutely.

But that's not an option right now.

So I do what I can. I think this is why I'm so caught up in "writing everyday" and worrying about getting words on the computer. Because if I get wrapped into the whole "mystique" of writing, I'll never get anything done. I don't have an area that I can go to find the muse.

I have a couch.

I have some music I can put on.

When I'm revising, and I know what I'm going to do next, I usually go to a coffee shop. One that makes you pay for the internet. Because I can't have the distraction.

But either way, where I write is not as important. What is important to me, is actually writing.

And I can do my best to get that done anywhere.

Everyday.