
Art Review
The Venice Biennale Plays It Safe, and Gets Lost in Fog
This edition includes some of the best global artists under 40. But it takes far too few risks.
By Jason Farago
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This edition includes some of the best global artists under 40. But it takes far too few risks.
By Jason Farago

The treasury secretary’s father, a New York art dealer, paid a record price last week for a work by a living artist. But for whom?
By Jacob Bernstein

The Modernist master left his mark on generations, from Renzo Piano and Norman Foster to David Adjaye and Billie Tsien.
By James S. Russell

What Australia’s Aboriginal artists and filmmakers are teaching Americans in two radiant shows.
By Jason Farago

The look is personal, but when you peel it back, the message is subtly topical.
By Holland Cotter

Why “Rabbit,” the perfect art for the roaring mid-80s, continues to speak to us.
By Roberta Smith

Demand for a former graffiti tagger named Brian Donnelly transforms a speculative market for paintings.
By Scott Reyburn

A gift from the president of the museum’s board will allow it to be “more welcoming and more open,” the MOCA director said.
By Jori Finkel

Like so many good ideas, the Every Woman Biennial was born of a joke. Now it’s in its third edition, displaying the work of over 600 female and nonbinary artists, and expanding to Los Angeles.
By Melena Ryzik
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