Floating Points’ Sam Shepherd isn’t one for hard left-turns in his loosely beat-tethered meditations on worldly music, but the London musician and producer does have a tendency to upend expectations. On last year’s “King Bromeliad,” he opens with ambient conversation reminiscent of the intro to Daft Punk’s “Da Funk” — before he segues not into a floor-filler, but a stately organ- and upright… More »