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HISTORY

First shown in New York in Dec 1917, the film was probably not widely distributed until Apr 1918, when the Arrow Film Corp. released it on a state rights basis. It was shot at the Biograph studio in the Bronx. At the time of the Dec 1917 New York opening, the characters were called by their allegorical names, and a May 1918 review also uses the allegorical names. An Apr 1918 ad, however, refers to Florence Reed's character as Lois, and the copyright records, also submitted in Apr 1918, give proper names for the characters. Damage to the copyright records makes it difficult to read the proper names of the Banker and the Class Poet, but they appear to be Richard Powers and Edward Keats, respectively. One review of the Dec 1917 opening describes the film as an eight-reeler. ...

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First shown in New York in Dec 1917, the film was probably not widely distributed until Apr 1918, when the Arrow Film Corp. released it on a state rights basis. It was shot at the Biograph studio in the Bronx. At the time of the Dec 1917 New York opening, the characters were called by their allegorical names, and a May 1918 review also uses the allegorical names. An Apr 1918 ad, however, refers to Florence Reed's character as Lois, and the copyright records, also submitted in Apr 1918, give proper names for the characters. Damage to the copyright records makes it difficult to read the proper names of the Banker and the Class Poet, but they appear to be Richard Powers and Edward Keats, respectively. One review of the Dec 1917 opening describes the film as an eight-reeler.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Motog
13 Oct 1917
p. 758
MPN
5 Jan 1918
p. 126
MPN
6 Apr 1918
p. 2002-03
MPN
24 Apr 1920
p. 3733, 3742
MPW
5 Jan 1918
p. 92
MPW
20 Apr 1918
p. 437
Variety
21 Dec 1917
p. 45
Wid's
20 Dec 1917
pp. 809-10
DETAILS
Release Date:
April 1918
Production Date:

Copyright Info
Claimant
Date
Copyright Number
High Art Productions, Inc.
13 April 1919
LP12311
Physical Properties:
Silent
Black and White
Length(in reels):
6-7
Country:
United States
SYNOPSIS

Mind, in the form of a college student, becomes infatuated with Body, a local barmaid, and neglects his studies, despite the warnings of his brother, Soul. Finally, however, he heeds Soul's advice and graduates to become a noted writer. Meanwhile, Soul becomes a minister and Body an adventuress. Body acquires four more lovers: a Champion Pugilist, a Musician, an Actor and a Banker, ruining and then discarding each one in turn. Eventually she enters Soul's church, where she realizes that her sinful mode of living can only lead to unhappiness. In trying to rescue Frail Sister, a white slave in the power of Slimy Thing, Body is shot and ...

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Mind, in the form of a college student, becomes infatuated with Body, a local barmaid, and neglects his studies, despite the warnings of his brother, Soul. Finally, however, he heeds Soul's advice and graduates to become a noted writer. Meanwhile, Soul becomes a minister and Body an adventuress. Body acquires four more lovers: a Champion Pugilist, a Musician, an Actor and a Banker, ruining and then discarding each one in turn. Eventually she enters Soul's church, where she realizes that her sinful mode of living can only lead to unhappiness. In trying to rescue Frail Sister, a white slave in the power of Slimy Thing, Body is shot and killed.

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Legend
BERJAYAViewed by AFI
BERJAYAPartially Viewed
BERJAYAOffscreen Credit
BERJAYAName Occurs Before Title
BERJAYAAFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.
BERJAYA