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Bernardine Evaristo, the first black woman to win the literary award, talks about her mission to write about the African diaspora and why her novel involves 12 interconnected characters.
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A long-awaited new novel from the author of “The Night Circus,” essays from Lydia Davis and a tell-all by an anonymous White House official.
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“Homewreckers,” by Aaron Glantz, and “Race for Profit,” by Keeanga-Yamahtta Taylor, may be focused on different eras, decades apart, but they tell similarly troubling stories.
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We invite you to take a look at this year’s winners.
In some ways, Edith Wharton’s classic novel feels more current than ever. Elif Batuman explains.
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Marilyn Stasio’s Crime column features an intricate British mystery by Martha Grimes. Also new books from Anne Perry, Linwood Barclay and Liam McIlvanney.
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David Oshinsky talks about Edmund Morris’s “Edison,” and Tina Jordan discusses new memoirs by Demi Moore, Julie Andrews and Carly Simon.
All the lists: print, e-books, fiction, nonfiction, children’s books and more.
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Carmen Maria Machado follows up her acclaimed collection of stories, “Her Body and Other Parties,” with a memoir about her frightening relationship with another woman while in graduate school.
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Holly George-Warren’s “Janis” follows the singer from her painful early years in a conservative Texas oil town to the fame she achieved with her powerful and unusual voice.
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Nancy Princenthal’s new book is about how women in the 1970s took an experience that had been artistically mined by men for millenniums and found ways to convey it in their own terms.
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Pekka Hamalainen’s impressive history is also a quarrel with how history — especially the history of indigenous Americans — has been told and sold.
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“Collected Poems of Bob Kaufman” showcases the poet’s distinctive and subversive voice, and Reginald Dwayne Betts’s sensitive third collection, “Felon,” finds the writer in transition.
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