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[{"title":"Polish Noir: \u2018Lead Children\u2019 \u0026 Other Fact-Based Polish TV Series","path":"\/en\/article\/polish-noir-lead-children-other-fact-based-polish-tv-series","type":"article","field_introduction":"More and more often, instead of exploring fictional scenarios, our local TV creators choose to present stories of events that made front-page news years ago. Let\u2019s explore how this fashion for non-fiction has been changing Polish television.","field_summary":"More and more often, instead of exploring fictional scenarios, our local TV creators choose to present stories of events that made front-page news years ago. Let\u2019s explore how this fashion for non-fiction has been changing Polish television.","topics_data":[{"tid":"59606","name":"#film","path":{"alias":"\/topic\/film","langcode":"en"}}],"image_cover":"336116","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Frame from the series \u2018Lead Children\u2019, 2026, photo: Robert Pa\u0142ka \/ Netflix","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Opening of the Polish Pavilion at the 61st Venice Biennale \u2013 Image Gallery","path":"\/en\/gallery\/opening-of-the-polish-pavilion-at-the-61st-venice-biennale-image-gallery","type":"gallery","field_introduction":"","field_summary":"Phtographs from the opening of the \u0027Liquid Tongues\u0027 presentation by Bogna Burska \u0026 Daniel Kotowski at the Polish Pavilion at the 61st Venice Biennale on 7th May 2026.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}}],"image_cover":"338908","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"11","field_duration":"","field_cover_img_caption":"Opening of the \u0027Liquid Tongues\u0027 presentation by Bogna Burska \u0026 Daniel Kotowski at the Polish Pavilion at the 61st Venice Biennale on 7th May 2026, photo: Milena Liebe","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Iga \u015awi\u0105tek on Tennis, Staying Grounded \u0026 How to Focus","path":"\/en\/article\/iga-swiatek-on-tennis-staying-grounded-how-to-focus","type":"article","field_introduction":"At the height of a match, when the stadium is loud and the stakes even louder, Iga \u015awi\u0105tek experiences something unexpected: the world grows quiet. The crowd fades, the noise recedes, and everything narrows to a single point \u2013 the next ball, the next decision. It\u2019s a kind of stillness that sits at the centre of one of the most fast-paced and demanding sports in the world.","field_summary":"What does the world feel like from inside elite concentration? In this intimate conversation, Iga \u015awi\u0105tek \u2013 one of the defining tennis stars of her generation \u2013 reflects on discipline, mental focus, fame, music, and the quiet inner world that exists behind one of the most demanding careers in modern sport.","topics_data":[{"tid":"59624","name":"#heritage","path":{"alias":"\/topics\/heritage","langcode":"en"}},{"tid":"59625","name":"#lifestyle \u0026 opinion","path":{"alias":"\/topic\/lifestyle-opinion","langcode":"en"}}],"image_cover":"338652","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Iga \u015awi\u0105tek, 2026, photo: Robert Prange \/ Getty Images","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"\u0027Tadeusz Kantor (1915-1990): Emballage, Cricotage and Madame Jarema\u0027 at the Venice Biennale 2026 \u2013 Image Gallery","path":"\/en\/gallery\/tadeusz-kantor-1915-1990-emballage-cricotage-and-madame-jarema-at-the-venice-biennale-2026-image-gallery","type":"gallery","field_introduction":"","field_summary":"The focus of the exhibition \u0027Tadeusz Kantor (1915\u20131990): Emballage, Cricotage and Madame Jarema, organised by the Starak Family Foundation as an official event accompanying this year\u2019s Venice Biennale, is the paintings of Kantor and Maria Jarema.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}}],"image_cover":"338833","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"14","field_duration":"","field_cover_img_caption":"A paiting with blue legs, a windown, the upper bodies of two young boys, a colourful stripe and a white piece of wood","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"The 61st Venice Biennale in the Shadow of the War in Ukraine","path":"\/en\/article\/the-61st-venice-biennale-in-the-shadow-of-the-war-in-ukraine","type":"article","field_introduction":"Despite official protests \u2013 including those from Marta Cienkowska, the Polish Minister of Culture \u2013 the organisers of the 61st Venice Biennale decided against barring Russia\u2019s participation in the event. The most significant art show in the world begins on 9th May 2026 in the shadow of war.","field_summary":"Despite official protests \u2013 including those from Marta Cienkowska, the Polish Minister of Culture \u2013 the organisers of the 61st Venice Biennale decided against barring Russia\u2019s participation in the event. The most significant art show in the world begins on 9th May 2026 in the shadow of war.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}}],"image_cover":"338786","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"The Polish Pavilion at the Venice Biennale, with people walking in and out, and standing on the steps","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Exercises in Radical Imagination: \u2018Liquid Tongues\u2019 by Bogna Burska \u0026 Daniel Kotowski at the 2026 Venice Biennale","path":"\/en\/article\/exercises-in-radical-imagination-liquid-tongues-by-bogna-burska-daniel-kotowski-at-the-2026-venice-biennale","type":"article","field_introduction":"The silence imposed on children, the songs of humpback whales, and the Deaf rebellion of the 1980s, which led to a revolution. By weaving these themes together in their audio-visual installation at the 2026 Venice Biennale, Bogna Burska and Daniel Kotowski propose a dream of a different world.","field_summary":"What if language could move beyond human limits? In \u2018Liquid Tongues\u2019, Bogna Burska and Daniel Kotowski weave together whale song, Deaf culture, and radical reimaginings of communication to propose a world where difference becomes a shared space rather than a barrier.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}}],"image_cover":"338733","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Still from \u0027Liquid Tongues\u0027 by Bogna Burska \u0026 Daniel Kotowski, video, 2026, photo: courtesy of the Zach\u0119ta \u2013 National Gallery of Art","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Culture.pl\u2019s Monthly Cultural Round-up: April 2026","path":"\/en\/article\/culturepls-monthly-cultural-round-up-april-2026","type":"article","field_introduction":"April was an eventful and emotional month in Poland. With the help of his friends, YouTuber \u0141atwogang raised over 50 million pounds (!) for young cancer patients in an online stream that lasted nine days and included visits from celebrities such as Iga \u015awi\u0105tek, Robert Lewandowski and Chris Martin. But Poland can never be remain excited for too long: the national football team did not qualify for the World Cup. Oh, well, as the old saying goes \u2018Polacy, nic si\u0119 nie sta\u0142o!\u2019 (Poles, it\u2019s no big deal!).","field_summary":"Here\u2019s a quick round up of some Polish cultural odds and ends from April 2026.","topics_data":[{"tid":"59625","name":"#lifestyle \u0026 opinion","path":{"alias":"\/topic\/lifestyle-opinion","langcode":"en"}},{"tid":"59606","name":"#film","path":{"alias":"\/topic\/film","langcode":"en"}},{"tid":"59609","name":"#language \u0026 literature","path":{"alias":"\/topic\/language-literature","langcode":"en"}}],"image_cover":"338755","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"A graphic made up of circles in different shades of magenta","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Modes of Experiencing Reality: Should Theatre Fear Silence?","path":"\/en\/article\/modes-of-experiencing-reality-should-theatre-fear-silence","type":"article","field_introduction":"As recently as a few years ago, taking part in recruitment processes at a number of cultural institutions in Poland, artist Daniel Kotowski still had to conceal deafness. Today, he no longer hides it. Not only does he not hide it, but alongside Bogna Burska, he is responsible for creating the a unique programme of the Polish Pavilion at the 2026 Venice Biennale.","field_summary":"As recently as a few years ago, taking part in recruitment processes at a number of cultural institutions in Poland, artist Daniel Kotowski still had to conceal deafness. Today, he no longer hides it. Not only does he not hide it, but alongside Bogna Burska, he is responsible for creating the a unique programme of the Polish Pavilion at the 2026 Venice Biennale.","topics_data":[{"tid":"59605","name":"#performing arts","path":{"alias":"\/topic\/performing-arts","langcode":"en"}}],"image_cover":"338143","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Scene from Daniel Kotowski\u2019s performance \u2018kiss to tell\u2019 at the Komuna Warszawa theatre, 2026, 17th edition of Festiwal Nowe Epifanie (New Epiphanies Festival), photo: Marek Zimakiewicz","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Venice Welcomes the Polish Avant-Garde: Kantor \u0026 Jarema at the 2026 Biennale","path":"\/en\/article\/venice-welcomes-the-polish-avant-garde-kantor-jarema-at-the-2026-biennale","type":"article","field_introduction":"If you happen to find yourself in Venice\u2019s famous St Mark\u2019s Square sometime between May and November, you\u2019ll be only a few steps away from an encounter with some of the most prominent artists of the Polish avant-garde.","field_summary":"If you happen to find yourself in Venice\u2019s famous St Mark\u2019s Square sometime between May and November, you\u2019ll be only a few steps away from an encounter with some of the most prominent artists of the Polish avant-garde.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}}],"image_cover":"338321","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Tadeusz Kantor, \u2018I Am Holding a\u00a0Painting on Which I\u00a0Am Painted as I\u00a0Am Holding a\u00a0Painting\u2019, from the series \u2018Further On, Nothing\u2019, 1987, courtesy of \u00a9 Lech Stangret and Dorota Krakowska; Tadeusz Kantor Foundation","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"The Hidden Histories of Poland\u2019s Psychiatric Hospitals","path":"\/en\/article\/the-hidden-histories-of-polands-psychiatric-hospitals","type":"article","field_introduction":"The first institutions for the mentally ill in Poland date back as far as the 15th century, and by the mid-17th century, a handful of more specialised care homes had begun to emerge. While these places have long played an important and necessary role, psychiatric hospitals have also become surrounded by a quiet aura of stories and legends.","field_summary":"Across Poland, psychiatric hospitals tell stories that reach far beyond medicine \u2013 from visionary architectural experiments to wartime atrocities and lingering urban legends. This piece uncovers spaces where care, history, and myth intersect, revealing how buildings meant to heal have become repositories of memory, trauma, and uneasy fascination.","topics_data":[{"tid":"59604","name":"#architecture","path":{"alias":"\/topic\/architecture","langcode":"en"}}],"image_cover":"316144","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Building of the former psychiatric hospital in Owi\u0144ska, photo: \u0141ukasz Cynalewski \/ AG","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"I Thought I Was Supposed to Keep Quiet: An Interview with Deaf Artist Daniel Kotowski","path":"\/en\/article\/i-thought-i-was-supposed-to-keep-quiet-an-interview-with-deaf-artist-daniel-kotowski","type":"article","field_introduction":"Can a deaf artist communicate with everyone? And why shouldn\u2019t one compare sign language to dance? Piotr Policht speaks to Polish artist and educator Daniel Kotowski on making art as a deaf person, how the education system continues to get in the way and how to overcome those obstacles.","field_summary":"Can a deaf artist communicate with everyone? And why shouldn\u2019t one compare sign language to dance? Piotr Policht speaks to Polish artist and educator Daniel Kotowski on making art as a deaf person, how the education system continues to get in the way and how to overcome those obstacles.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}},{"tid":"59605","name":"#performing arts","path":{"alias":"\/topic\/performing-arts","langcode":"en"}}],"image_cover":"286071","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Still from \u0027I\u0027m Reading Out Loud\u0027 by Daniel Kotowski, photo: courtesy of the artist","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Polish Pavilion at the Venice Biennale 2026 \u2013 Image Gallery","path":"\/en\/gallery\/polish-pavilion-at-the-venice-biennale-2026-image-gallery","type":"gallery","field_introduction":"","field_summary":"The Polish Pavilion at the 61st Venice Biennale in 2026 will host the \u0027Liquid Tongues\u0027 exhibition. As part of the project, artists Bogna Burska and Daniel Kotowski, in collaboration with the community-based Ch\u00f3r w Ruchu, have created a unique audio-video installation. The artists explore alternative modes of communication inspired by non-human life.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}},{"tid":"59605","name":"#performing arts","path":{"alias":"\/topic\/performing-arts","langcode":"en"}}],"image_cover":"338402","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"8","field_duration":"","field_cover_img_caption":"Bogna Burska, Daniel Kotowski, \u201eJe\u0328zyki z wody\u201d, wideo, 2026, fot. dzie\u0328ki uprzejmos\u0301ci Zache\u0328ty \u2013 Narodowej Galerii Sztuki","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Looking at War: Tomasz Szersze\u0144 on Images, Memory \u0026 Responsibility","path":"\/en\/article\/looking-at-war-tomasz-szerszen-on-images-memory-responsibility","type":"article","field_introduction":"On the fourth anniversary of the full-scale invasion, as our sensitivity to the war inevitably wanes, we reflect on the act of seeing, \u2018onlooking\u2019, and the boundaries of human empathy. We discuss this topic with Tomasz Szersze\u0144, an essayist, photographer, and cultural anthropologist working at the Institute of Art of the Polish Academy of Sciences, and author of the book \u2018By\u0107 Go\u015bciem w Katastrofie\u2019 (Being a Guest in a Catastrophe), which analyses the war in Ukraine from a visual perspective.","field_summary":"As images of war flood our screens, what does it mean to keep looking \u2013 and where does attention turn into indifference? In this probing conversation, Tomasz Szersze\u0144 reflects on the uneasy role of the viewer, asking whether we are witnesses, spectators, or something in between.","topics_data":[{"tid":"59611","name":"#photography","path":{"alias":"\/topic\/photography","langcode":"en"}},{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}}],"image_cover":"334273","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Tomasz Szersze\u0144, photo: courtesy of the author","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"A Weekend in Warsaw: Pierogi, Wedel \u0026 One Famous Visitor Who\u2019d Done Her Reading","path":"\/en\/article\/a-weekend-in-warsaw-pierogi-wedel-one-famous-visitor-whod-done-her-reading","type":"article","field_introduction":"In January, \u2018The Times\u2019 named Warsaw the number one European city break destination for 2026. The write-up was warm, funny, slightly flirtatious \u2013 \u2018Hello Warsaw, you up?\u2019 \u2013 and mentioned pierogi, milk bars, and the general sense that the Polish capital had been quietly getting excellent while nobody was paying attention. But it looks like Dua Lipa certainly was.","field_summary":"In January, \u2018The Times\u2019 named Warsaw the number one European city break destination for 2026. The write-up was warm, funny, slightly flirtatious \u2013 \u2018Hello Warsaw, you up?\u2019 \u2013 and mentioned pierogi, milk bars, and the general sense that the Polish capital had been quietly getting excellent while nobody was paying attention. But it looks like Dua Lipa certainly was.","topics_data":[{"tid":"59625","name":"#lifestyle \u0026 opinion","path":{"alias":"\/topic\/lifestyle-opinion","langcode":"en"}}],"image_cover":"338568","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Dua Lipa eating pierogi, April 2026","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Between Faith \u0026 the New Age: Poland\u2019s Spiritual 1990s","path":"\/en\/article\/between-faith-the-new-age-polands-spiritual-1990s","type":"article","field_introduction":"Fear of \u2018cults\u2019, a parade of healers, the hundred faces of the New Age, and a wave of private apparitions \u2013 on spiritual quests in the time of transformation.","field_summary":"In the uncertain aftermath of communism, Poland became a landscape of competing beliefs \u2013 where Catholic devotion coexisted with healers, UFO cults, esoteric fairs, and a surge of private apparitions. This piece traces a moment when meaning itself seemed up for grabs, revealing a society navigating between faith and the New Age, fear and fascination, tradition and reinvention.","topics_data":[{"tid":"59625","name":"#lifestyle \u0026 opinion","path":{"alias":"\/topic\/lifestyle-opinion","langcode":"en"}}],"image_cover":"336997","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Visits by the healer Clive Harris to Chorz\u00f3w, 1996, photo: Rafa\u0142 Klimkiewicz \/ AW","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""}]
