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Pete, widely considered to be one of the preeminent awards analysts for both film and television, has for the past seven years been Deadline's Awards Columnist covering what is seemingly now the year-round Oscar and Emmy seasons. He is also Deadline's Chief Film Critic, having previously reviewed films for MovieLine, Boxoffice magazine, Backstage, Hollywood.com and Maxim. In addition to writing, Pete is also host of the year-round KCET Cinema Series, where he screens a selection of films prior to their theatrical release and interviews filmmakers. He previously held producing positions at Entertainment Tonight, Extra, Access Hollywood, The Arsenio Hall Show, The Martin Short Show and AMC Network and is the recipient of five Emmy nominations for writing.
In 1986, huckster reporter Gerald Rivera staged a hyped, bloated, two-hour TV special called The Mystery of Al Capone’s Vault, tantalizing viewers with what treasures might be buried there. When it was finally opened, there was nothing, a big con that led nowhere. That almost describes this new film, Capone, which…
It’s Mother’s Day weekend, so what better time to sit back and take in two new movies about teenage daughters in the music scene that just might make their moms squirm?
Actually, parents will probably be fine with it all, but these two flicks — the musical remake of 1983’s Valley Girl and the semi-autobiographical…
Launching our new Emmy-season edition of my Deadline video series Behind the Lens is Oscar-nominated director Lenny Abrahamson, who joins me direct from Ireland on the occasion of the debut of his new Hulu series Normal People. The intimate 12-episode drama is a deep dive into the relationship between two young people…
2ND UPDATE, May 8, 9 AM: The Hollywood Foreign Press Association continues to tweak its rules for the Golden Globes in the midst of the coronavirus pandemic, this time in regard to the foreign language film category.
For the time being, HFPA is temporarily hitting the pause button on that rule that foreign films must…
Certainly the new film Working Man wasn’t intended to be released at a time when unemployment is at or approaching its highest level since perhaps the Great Depression. With more than 33 million Americans newly out of work, factories continuing to close and other results of the coronavirus pandemic, this film takes on…
You can tell when its Emmy season because that also means the return of Deadline’s TV Talk Podcast, featuring TV critic Dominic Patten and awards columnist Pete Hammond. For the 2020 premiere episode, we hit numerous topics related to the changing landscape of this unique Emmy campaign year as we cover the waterfront…
EXCLUSIVE:Â Netflix, acknowledging traditional Emmy campaigning is impossible this year especially when it comes to kind of events it has produced in past seasons, is making wholesale changes in its approach in showing off its wares. The moves include going almost exclusively digital, revamping the concept of its FYC…
The NFL is expected to release the official schedule for its 2020 season imminently, with a plan for its grand finale at the Super Bowl on February 7, 2021 airing this cycle on CBS. Business as usual.
Of course we know all about “plans” in the age of the coronavirus pandemic, and as one event after another has had to…
Spaceship Earth is a new documentary about the two-year experiment in which eight members of an experimental theater company embarked on a grand mission to quarantine themselves in a large glass vivarium called Biosphere 2. The film is unexpectedly timely as many of us find ourselves in our own quarantine quandary…
Welcome officially to our first-ever virtual season of my Deadline video series The Actor’s Side, which will run every Wednesday. Due to the coronavirus pandemic we are by necessity out of our usual studio and inside (via video) the homes of the actors we are talking with about career and craft this Emmy season; it…
Brian Dennehy, who died just three weeks ago, left behind a gift for movie fans with one of his final performances in the simple yet truly moving indie drama Driveways. Coming in a period when many are desperate for human connection, The film might be the perfect antidote, even for its short 83-minute running…
EXCLUSIVE: For all intents and purposes, the Tribeca Film Festival wrapped last week with the announcement of winners in various categories. Of course there was no live Tribeca this year due to the coronavirus pandemic, but the festival went ahead as virtually as it could by creating an Extranet where some of the…
