Because I have no rational revolution to offer you, I suggest, for the fun of it, that you try the Erewhonian. Take back your body from its possession by the automobile; take back your imagination from the TV set; take back your wealth from Congress's bottomless pit and maniac spending; take back your skills as homemakers from the manufacturers; take back your minds from the arguments from necessity and the merchants of fear and prejudice. Take back peace from perpetual war. Take back your lives; they are yours.I bought Davenport's book a few years ago on the recommendation of Patrick Kurp.
Showing posts with label The Laudator. Show all posts
Showing posts with label The Laudator. Show all posts
Monday, August 23, 2010
It is yours
From the indispensable Laudator, this quote from Guy Davenport, "What Are Revolutions?" in The Hunter Gracchus and Other Papers on Literature and Art
Saturday, August 21, 2010
In the name of the Bodleian
Another book of essays to be read, via the Laudator. This is by Augustine Birrell, whom we last met through the good graces of Roger Pearse.
Saturday, August 14, 2010
What literature is all about
Paul Gruchow, via the Laudator:
At the University of Minnesota, on another spring day, I heard the poet John Berryman fail to lecture on The Iliad to a room jammed with students. He sat down at a table, as was his custom, put on his reading glasses, lit a cigarette, which he held at bottom of the space between his trembling index and middle fingers in the way that drunks do, and began to read to us from the poem in his dark voice, oddly powerful coming from such a frail man, paying as much attention to the stops in the lines as to the accents. He read to us the scene in which Hector and Andromache say farewell to each other. Hector is destined to die and Andromache to be hauled into slavery, and both know this by premonition. When he came to the end of the scene, Berryman was weeping and so, unexpectedly, were we. He made no effort to hide his grief, running from an ancient pen across the long centuries through a modern language into our hearts. He did not even brush away his tears. We sat, stunned, until he got up and left the room without another word, and then we, too, gathered up our books and emerged into the cruel sunshine. I hurried to my office (I was editor of the student newspaper) and locked myself in, and it was an hour or two before I could see anybody. It was the first time, I think, that any of us had ever been taught what literature is all about.
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