And talking of Georgians, the British Library's next big exhibition is going to be about them. The full title will be Georgians Revealed: Life, Style and the Making of Modern Britain and it promises to be fascinating. One hopes there will not be too much harping on the various clashes between politesse and riotous behaviour, riches and poverty and more emphasis on this:
From beautifully furnished homes to raucous gambling dens, Georgians Revealed explores the revolution in everyday life that took place between 1714 and 1830. Cities and towns were transformed. Taking tea, reading magazines, gardening and shopping for leisure were commonplace, and conspicuous consumption became the pastime of the emerging middle classes.It will open on November 8 and this blog will report on it.
Popular culture as we know it began, and with it the unstoppable rise of fashion and celebrity. Art galleries, museums and charities were founded. In this time of incredible innovation, ideas were endlessly debated in the new coffee houses and spread via the information highway that was mass print.
In the meantime, there is a smaller and wholly delightful exhibition of illustrations to children's books, tucked away in that odd bit of space to the coffee bar.
The Georgian Gentleman blog came my way because of its highly entertaining posting on coalitions then and now, complete with a Gillray cartoon of Charles James Fox and the 2nd Earl of Guilford, that can be described as "robust" and an updated version that used some version of photoshop. There seems to have been a good deal less snivelling among politicians at the time and they often gave as good as they received.
There will be further postings on the subject of dates and, Tory Historian hopes, further discussions before some kind of an agreed list is produced. The suspicion is that we might have to have a list of 100 or, at least, 75. It is obvious that 50 is an inadequate number.
In the meantime, Tory Historian has been reading various books, including Amanda Vickery's fascinating account of a number of Georgian families and their womenfolk in Lancashire. Her study is based on the ladies' diaries and letters, giving the reader a strong feeling of entering those lives.
"The Gentleman's Daughter" refutes the accepted historical argument that women of the middle class lost various freedoms and occupations in the eighteenth century and shows their lives in their full and active reality.
A couple of quotations from the introductory chapter set the theme:
What follows then is a study in seemliness; a reconstruction of penalties and possibilities of lives lived within the bounds of propriety. Yet, as will emerge, even the bounds of propriety were wider than historians have been apt to admitPresumably that means that Keira Knightley will not be playing any of them in a bad film. Something to be thankful for.
....
It is hard to imagine them [those gentlemen's daughters, wives, sisters and mothers] ever smiling on the likes of a feminist writer such as Mary Wollstonecraft, a mannish lesbian as Anne Lister or a fashionable adulteress such as Georgiana, Duchess of Devonshire.
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