
Essay
A 1995 Novel Predicted Trump’s America
William H. Gass’s “The Tunnel” explores eerily resonant themes of midcentury Western fascism.
By Alec Nevala-Lee
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William H. Gass’s “The Tunnel” explores eerily resonant themes of midcentury Western fascism.
By Alec Nevala-Lee

Ben Lewis’s new book explores the purported 500-year history of “Salvator Mundi,” a painting of Christ that shattered auction records in 2017.
By John Williams

Matt Zurbo’s challenge, named after his daughter, Cielo, is an unconventional labor of love.
By Damien Cave

The reform school at the center of Whitehead’s new novel (his first since “The Underground Railroad”) is more like a prison where the inmates are brutalized and even killed.
By Frank Rich


The New York Times’s book critics select the most outstanding memoirs published since 1969.
By The New York Times

Beach books are the cool aunts of the literary world: They drive with the top down and take you to new places. They’re memorable, challenging, warm and wise.
By Elisabeth Egan

Will discusses “The Conservative Sensibility,” and David Maraniss talks about “A Good American Family: The Red Scare and My Father.”

All the lists: print, e-books, fiction, nonfiction, children’s books and more.
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Whitehead’s new novel, about the friendship between two boys, was inspired by the harrowing real-life story of a notorious reform school in Florida.
By Parul Sehgal

In his deeply reported new book, Tim Alberta writes about George W. Bush, Sarah Palin, the Tea Party and the transformation that led to the G.O.P.’s loyal support for the current president.
By Jennifer Szalai

“The Chain,” Adrian McKinty‘s existential thriller, imagines a crime syndicate operating a string of abductions like a chain letter, in which victims are themselves pushed to do evil.
By Janet Maslin

In “Higher Etiquette,” Lizzie Post — the great-great-granddaughter of Emily Post — argues that it’s time for cannabis to move, in the public imagination, away from its surfer and “Cheech and Chong” image.
By Dwight Garner

In “I Like to Watch,” Emily Nussbaum of The New Yorker looks back on television’s artistic high points and cultural influence over the past two decades.
By Jennifer Szalai
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