Paperback 746: The Avon Book of Detective and Crime Stories / ed. John Rhode (Avon 21)

Paperback 746: Avon 21 (1st ptg, 1942)

Title: The Avon Book of Detective and Crime Stories
Editor: John Rhode
Cover artist: NA

Yours for: $10


Best things about this cover:

• The font? Maybe? Also pink. Pink is nice.
• This old Avon has held up *really* well. I love a good old paperback that's beat-as-f*ck but still perfectly solid and tight. You could read this a hundred times and it would just get more broken in.
• This is a classic detection bonanza right here. Not really my cup, but a pretty sweet collection nonetheless.

Best things about this back cover:

• Shakespeare-Head!
• Shakespeare likes mysteries and also the US Armed Forces. Heed Shakespeare's plea, y'all.
• You can store paperbacks in such things as "clothing" or those new-fangled contraptions, "bags."

Page 123~ (from "A Shot in the Night" by The Baroness Orczy)

My experience is that in all emotions and all weaknesses, in all virtues and in all vices, women invariably outdo the men.

But this is beside the point.

~RP

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Paperback 94: The Man from Scotland Yard / David Frome (Pocket Books 153)

Paperback 94: Pocket Books 153 (1st ptg, 1942)

Title: The Man from Scotland Yard
Author: David Frome
Cover artist: uncredited

Yours for: $7


Best things about this cover:

• You can tell this cover was produced before sensationalism (sex and violence) became unstoppable forces of commodification in the paperback industry. This corpse is practically polite. In fact, I think he might just be sleeping after a tough day of pawn-brokering.
• Trench-coated woman! You don't see many of those. I love how incognito she is with her strategically placed umbrella. Is she going to pawn something, or just passing by?
• This book is from 1942, just three years after Pocket Books began. That is, the mass market paperback was exactly three years old when this book came out.
• The painting is subtle, smooth, understated, moody, detailed, elegant. Fantastic and respectable. Makes me sick - where's the action? the blood? the gratuitous partial nudity!?
• Books just held up better in the olden days. This book has been heavily read, but it is square, tight, solid. You could read it a million more times and it wouldn't change its appearance much. Eventually Pocket Books and all paperback producers lowered their quality standards, and books became much more susceptible to decay, fall-apart, and other cheapness-related injuries. I'm telling you, the interior pages on this thing are still Astonishingly white. Red color of the page edges has barely faded. This book may be quaint-looking, but it's tough.
• I love how the author's name is incorporated into the painting itself, made to look like the name of the dead/sleeping guy's pawn shop. That's just beautiful. Too bad that light fixture kind of ruins everything with its potent combination of insectiness and testicularity.
  

~PAGE 123

Leighton pressed the bell on his desk. A callow young man came in and took the paper. The firm had dispensed with the services of women in their offices since an attractive young lady typist had become the senior Mrs. Doubs, stepmother of the two younger Messrs. Doubs, each some ten years her senior.

~RP