Paperback 357: Night Train / Kenneth Millar (Ross Macdonald) (Lion Library LL40)

Paperback 357: Lion Library LL40 (2nd ptg / 1st thus, 1955)

Title: Night Train
Author: Kenneth Millar
Cover artist: Samson Pollen

Yours for: $22


Best things about this cover:

• I think there is a single scene in this book that is set in a jazz club. Why they have completely de-crime-fictionized this cover, I don't know ("A Bold Story of Fierce Desire"??), but I'm glad they did—the painting is fantastic: vibrant and chaotic. You rarely see a black woman in the position of sexy dame on these covers—very nice.
• I like the guy right behind her—the guy you are very likely to miss if you're sucked into either the playing/dancing or the steamy glance between Ms. Bar Lady and Mr. Ne'er-Do-Well. The guy behind her—he's the one I want to know. He's either tailing that guy, or he's just thinking "Really? That guy? She must be working some angle..."
• Love the guy in the foreground with the cigar! He is sooo happy to have that cigar!
• What is up with the letter spacing on the tagline? Letters get closer together as title moves left to right. It's like a 3rd grader wrote it by hand and ran out of room as she approached the right margin
  

Best things about this back cover:

• This is (pretty much) the cover of the original Lion edition of this book (which I own ... hey, wait, I've already blogged it—it's here! Check out the art parallels)
• Ross Macdonald was (understandably) saddled with the "Chandler/Hammett" mantle early on in his career, and despite a period of phenomenal fame (peaking around 1970), he just wasn't the artist either Hammett or Chandler was, and hasn't had their longevity. I know I am in the minority here, but I'm not a big Macdonald fan; I especially don't care for the Lew Archer stuff. Archer's just a smarmy, dull, self-righteous Marlowe. A Not-Marlowe. A Marl-faux. Sadly, he's also the model for virtually every P.I. that came after him.
• There is more than a "trace" of Freud in Macdonald's work; when reading Macdonald, I often feel like I'm reading a novel whose sole purpose is to illustrate some concept from Psychology 101. If I remember correctly, though, this pre-Lew Archer stuff is pretty tight and entertaining.

Page 123~

Mrs. Tessinger was extraordinarily vivacious. Her bosom seemed higher than ever, and her waist tighter.

That's a nice, lecherous eye the narrator has there.

~RP

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Paperback 353: Blue City / Kenneth Millar (Ross Macdonald) (Dell 363)

Paperback 353: Dell 363 (1st, 1947)

Title: Blue City
Author: Kenneth Millar
Cover artist: Uncredited (a shame)

Yours for: $23


Best things about this cover:

• I'm not sure there is a cover out there that better expresses the idea of "noir." The grimy fatalism of the urban jungle perfectly expressed by that pollution/hand working all the lowlifes like marionettes. That woman's right boob is freaking me out a little, and the gangster's proportions are all wrong, but all the classic vices are on display, and that hand is going to give me nightmares. The skin on the knuckles, my god ...

Best things about this back cover:

• Mapback!
• Whoever designed that city Really liked right angles.
• Nice detail on the buildings [/sarcasm]
• This book is in a plastic slipcase. I would have taken it out, but I feared I might harm the book in doing so, so parts of the back remain obscured somewhat by the thick plastic strip down the middle. And the ID tag.

Page 123~

"You won't sing," Kerch said, "if what we do to you shuts you up for good. Come along, Floraine. You'll need a coat."

"You'll need a coat" makes me laugh. Cold-blooded hitman worries you might get chilly.

~RP

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Paperback 321: Wicked Women / ed. Lee Wright (Pocket 1263)

Paperback 321: Pocket 1263 (PBO, 1960)

Title: A Butcher's Dozen of Wicked Women
Editor: Lee Wright
Cover artist: Morgan Kane

Yours for: SOLD!


Best things about this cover:

• If they'd just get rid of the text and let me see what she's looking at, this cover would be perfect.
• Great Girl Art, Girl With Gun, Gams Galore, all overlooking a cityscape. I live for covers like this. Subtle, sexy, delicious. Her arm position, her hip cock ... perfect. If I woke up in a hotel room and *this* is what I saw when I looked over at the balcony, I could die a happy man.
• Problem: the painting gives off an urban, hard-boiled vibe. Those authors ... do not. I mean, they're fine, if you like more traditional mysteries, but the ones I recognize are somewhat cozier than authors I tend to read. There *is* a Kenneth Millar (aka Ross Macdonald) story inside. Not sure why he's not on the cover, as he is pretty well established at the time of this book's release.

Best things about this back cover:

• Cool '60s design — vaguely rectangular swatches of different bright colors arranged in asymmetrical relationship to one another — continued from front cover.
• I'm torn between the practical Lucy and the vengeful Daihili.

Page 123~

from "Suspicion," by Dorothy L. Sayers

He sipped it thoughtfully, standing by the kitchen stove. After the first sip, he put the cup down. Was it his fancy, or was there something queer about the taste? He sipped it again, rolling it upon his tongue. It seemed to him to have a faint tang, metallic and unpleasant. In a sudden dread he ran out to the scullery and spat the mouthful into the sink.

I read one novel by Sayers and the mystery (or rather, its solution) was So preposterous that I never read another. I will say, however, that the woman knows her way around a sentence. She translated Dante, after all.

~RP

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Paperback 42: Bantam A2096

Paperback 42: Bantam A2096 (1st ptg, 1960)

Title: The Three Roads
Author: Ross Macdonald
Cover artist: Uncredited


Best things about this cover:

• The story of one woman's feverish nightmares about her missing pink pump with matching pom pon ("Rosebud...")
• Is this a picture of the "stolen passion" or the "brutal murder?"
• Why does her left leg disappear in a smoky mist? Did she forget to take something off the stove?
• Ross Macdonald was a writing star in the mystery world until he was caught using steroids. Now his name is forever haunted by the dreaded asterisk.
• I love the magical sheets, which defy physics in order to give her ass the barest of cover and thus prevent us from enjoying an unbroken line of head-to-toe nudity. Cursed sheets!

Best things about this back cover:

• If you liked this book, you'll love the sequel: MEMORY MURDERED ABSORBING!
• This is what a book looks like when it's designed by someone with a punctuation fetish. For god's sake, it's not Spanish - why are there punctuation marks before the word "MEMORY?"

Here we find out the real reason for the asterisk on the front cover. Kenneth Millar (his real name) wrote under his own name, then John Ross Macdonald, until John D. MacDonald started to make a splash, and then people got confused. This book was published at the height of that confusion, clearly. Eventually, he'd stick with Ross Macdonald (the first "d" is not capitalized). I have written about this guy. Spent days working through his correspondence and other papers at UC Irvine. The best time I ever had being an academic. It was like being ... well, a detective. Hot.

RP