
Rough

Clean
| Mar | APR | May |
| 23 | ||
| 2010 | 2011 | 2012 |
Web wide crawl with initial seedlist and crawler configuration from March 2011. This uses the new HQ software for distributed crawling by Kenji Nagahashi.
What’s in the data set:
Crawl start date: 09 March, 2011
Crawl end date: 23 December, 2011
Number of captures: 2,713,676,341
Number of unique URLs: 2,273,840,159
Number of hosts: 29,032,069
The seed list for this crawl was a list of Alexa’s top 1 million web sites, retrieved close to the crawl start date. We used Heritrix (3.1.1-SNAPSHOT) crawler software and respected robots.txt directives. The scope of the crawl was not limited except for a few manually excluded sites.
However this was a somewhat experimental crawl for us, as we were using newly minted software to feed URLs to the crawlers, and we know there were some operational issues with it. For example, in many cases we may not have crawled all of the embedded and linked objects in a page since the URLs for these resources were added into queues that quickly grew bigger than the intended size of the crawl (and therefore we never got to them). We also included repeated crawls of some Argentinian government sites, so looking at results by country will be somewhat skewed.
We have made many changes to how we do these wide crawls since this particular example, but we wanted to make the data available “warts and all” for people to experiment with. We have also done some further analysis of the content.
If you would like access to this set of crawl data, please contact us at info at archive dot org and let us know who you are and what you’re hoping to do with it. We may not be able to say “yes” to all requests, since we’re just figuring out whether this is a good idea, but everyone will be considered.

I roughed this character's body on 2 layers
You can turn off individual layers and just see the clean up. I go back and forth to check everything. One problem is that the layers underneath are just as dark as the layers above so it makes it hard to see what you are doing.
But you can turn on "light table" to make the other layers less opaque. (if you can find it). I would rather be able to just set a & for other layers but that doesn't seem to be an option. If you know how to do this, let me know!
You can turn on onion skin to see the progress of your cleanups and make sure they are connecting smoothly
THICK AND THIN LINES:
You can control the thickness of the lines by setting the numbers. My character starts in the scene big and then flies away and gets small.
It takes practice to control the thick and thin lines, but the brush is pressure sensitive and after awhile I got the hang of it.

I think I may have an animatic of this scene that Eric Bauza made. I can't remember if Mike Pataki did the voice. He must have...
