Zombies have become a regular fixture in popular culture, with well-known properties and behavior patterns that remain more or less constant across a wide range of cultural artifacts. How can we explain the fact that this fictional creature is so well-understood? It is possible that this basic uniformity is solely the result of dynamics within the postwar pop culture tradition, but the widespread fascination with the zombie seems to point toward deeper roots. In this dissertation, I propose to demonstrate the connections between the contemporary figure of the zombie and medieval conceptions of the leper.



