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Cult Fave: The Mack
November 14, 2007 | 11:00 am

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Detour debut day continues with this great piece from staff cult film guru Mike White. Mike comes from the mean streets of Detroit City, where he’s been gracing the world with his opinions via the pages of his zine, Cashiers du Cinemart, for the last 15 years. And that’s a real zine, with real paper and ink and everything. (After the Internet was on wood, it was on paper.) We think Mike might also know the location of the pimp softball game. Read on. — Johnny Loftus

THE MACK (Michael Campus, 1973)
After a five year stint in the slammer, Goldie (Max Julien) gets himself together. How? To paraphrase the dynamic theme song by Willie Hutch, Goldie’s got a master plan. He lives out the sage advice of a master class mack. “A pimp is only good as his product and his product is women,” the mentor tells him. “You’ve gotta work them broads like no one’s worked ‘em before. And never forget: Anyone can control a woman’s body, but the key is to control her mind.” And over the course of a montage, Goldie builds his ho empire. He has to overcome the weaknesses of his women, the corrupt cops who threw him in the can, his militant brother (Roger E. Mosley), and the Fat Man (George Murdock), the local Mafia representative.

The Mack is awash in the language, the games, the hairstyles, and the clothing of the early 1970s and, baby, it is beautiful. Director Michael Campus utilizes cinema verite camerawork that works to place the Goldie character in the world of pimping that continues to fascinate filmmakers (see Brent Owens’s Pimps Up, Ho’s Down, the Hughes Brothers’s American Pimp, or even Craig Brewer’s Hustle & Flow). Like his contemporary in Super Fly, Goldie travels in underworld circles that try to be glamorous, but come off as sad and hollow.

The Mack is ultimately less than its parts. But its genius is in the classic scenes (torturing a potential assassin with a trunk full of rats, a softball game for pimps) and priceless speeches (“You know that mack, The Bear?” and the famous giraffe riff) that redeem it, making it a classic in blaxploitation. Are you a master class mack? — Mike White

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