Paperback 338: Dead Man's Tale / Ellery Queen [Stephen Marlowe] (Pocket Books 6117)

Paperback 337: Pocket Books 6117 (PBO 1961)

Title: Dead Man's Tale
Author: Ellery Queen (ghostwritten by Stephen Marlowe)
Cover artist: Harry Bennett

Yours for: $15


Best things about this cover:

• "He ... he was out picking tulips and his sabots slipped and he hit her head on a windmill blade, which caused him to choke on some edam. I do not know how we ended up underwater. Dike broke, I suppose."
• This title is superlame.
• Never would have known this was ghostwritten by Stephen Marlowe if I hadn't gotten on Abe Books to check prices. There's a signed copy available there in which Marlowe writes "Just this once..."

Best things about this back cover:

• "Hacha" sounds like some kind of drink you'd order at a hipster café in Brooklyn.
• This plot sounds interesting. I really want to know what they're going to tell Hacha once they find him. It better have something to do with a dead man, or a windmill. Otherwise, total ripoff.

Page 123~

Then they heard Lou Goody tramping up the hill.

And I thought "Barney Street" was a good name.

~RP

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57 Books from the University Book Sale: Book 56

Actually, I have no idea what the last two books are from the Book Sale. They appear to have sort of blended in with the rest of the collection. So the last two books will just be ones I can't place, not yet officially in The Collection — stuff that *could* have come from the Book Sale. Enjoy.

Title: Some Slips Don't Show (Pocket Books 6095, 1st ptg, 1961)
Author: A.A. Fair (aka Erle Stanley Gardner)
Cover artist: Harry Bennett

Yours for: $8

• Expression on that guy's face is Nightmarish. That chair, however, is pure '60s gold, as is the Jackie-O style of Miss Primping there. I love the mysterious inscription over Dean Martin's ugly cousin's head: "Amy." It's as if he's thinking, "Amy, I'm sorry I barfed on your other dress."
  
• I believe this painting represents the seated drunk green guy's perspective. He's so sloshed that the objects of his ogling have huge, sickly, sweeping motion lines. Throwing back her hair creates a Pollockesque swoosh. Kind of looks like the number "9."
• On second, or third, glance, I believe that that is not a chair he's sitting in, but a hovercraft. He's reminding more and more of that Martian from the "Flintstones" every time I look at him.

• Seriously? You decide to reprise an image from the front cover and you choose *him*!? "Hey, [hic!], look at me! I'm flying through your doorways! Lady!"
• I'm not sure I get the joke? Is she naked under clothes? Is her slip really showing? Is there a pun on "slip," so that I'm supposed to understand that she's made an error of some sort. Is "slip" some horrible anatomical code word? Only the racially ambiguous drunk alien knows.

Page 123~

"And furthermore," I told her, "don't hand me that line about what I owe you. I don't owe you a damned thing!"

He's short, but Donald Lam can talk down to the ladies like nobody's business (I actually really like the Cool + Lam books by "Fair")

~RP

[Follow Rex Parker on Twitter]

57 Books from the University Book Sale: Book 22

Title: You'll Like My Mother (Fawcett T1418, 1969)
Author: Naomi A. Hintze
Cover artist: Harry Bennett

Yours for: $5

• "I think I *will* like your mother. She sounds ho- ... whoa! Is that her? Oh ... man. I, uh, I have this thing I have to go to now. Band practice, I think."
• MILF! (Mom I'd Like to Flee)
• "Maybe if I hide under this giant Fabio wig, mom won't see me..."

• Dear Best Sellers, "THEY" has no antecedent. Thank you.
• We need to revive the word "CHILLER-DILLER"
• Book-of-the-Month Club News is creeping me out with its metaphors. "It's like watching a demonic baby emerge from the birth canal. You'll love it."

Page 123~

In my mind's eye I fixed a firm picture of that fawn-and-brown cat catching that one gray rat. One rat; there were no more.

This is, by far, the most interesting thing happening on this page.

~RP

[Follow Rex Parker on Twitter]

Paperback 202: Cotton Comes to Harlem / Chester Himes (Dell 1513)

Back from Brooklyn and ready to drop some righteous cover art. Moving right along...

Paperback 202: Dell 1513 (1st ptg, 1966)

Title: Cotton Comes to Harlem
Author: Chester Himes
Cover artist: Harry Bennett

Yours for: $12


Best things about this cover:

• Lovely, delicate, enigmatic. I don't recall anyone having sex in a police station in this book, though police and sex were certainly involved, generally.
• Not a fan of the trend (over the course of the 60s) toward smaller art and bigger words.
• Harry Bennett is a prolific artist whom I most associate with PermaBooks from the late 50s through the mid-60s. His stuff is often more jagged and angular and rougher looking than this little painting would suggest.
• "Pinktoes" is (like a lot of Himes's work, in one way or another) pretty bawdy, and concerned specifically with the intersection of sex and race in American society. My copy of "Pinktoes" is in fact pink. You'll see.
• I just got some promotional postcards for the "Paperback Collectors Show & Sale" (Sunday, Mar. 29, 2009) in the mail last week, and the picture on them has eerie similarities to this Himes cover:
  

And now the back of "Cotton..."


Best things about this back cover:

• Ugh, words
• "The wildest of camps" - "Camps?" Plural? I'm familiar with this definition...

1. An affectation or appreciation of manners and tastes commonly thought to be artificial, vulgar, or banal.
2. Banality, vulgarity, or artificiality when deliberately affected or when appreciated for its humor: “Camp is popularity plus vulgarity plus innocence” (Indra Jahalani).

But I've never seen the word used that way in the plural. Interesting (to me alone, perhaps)

Page 23 (for Page 123, see Paperback 201):

He was a nondescript-looking man with black and white striped suspenders draped over a blue sport shirt and buttoned to old-fashioned, wide-legged dark brown pants. He looked like the born victim of a cheating wife.

~RP

P.S. One of the biggest thrills of the Crossword Puzzle Tournament this past weekend was having multiple people come up to me and tell me how much they loved this website. I get so happy when my poor, neglected baby blog gets some much-deserved attention. Hard for "Pop Sensation" to feel adequate when her big brother gets literally 50x the traffic she does. If this site were anywhere near as popular as my crossword site, I'd pass out from excitement. Crossword constructor Doug Peterson was kind and thoughtful enough to bring a gift for me to the tournament: a lurid paperback with a crosswordy cover. So look for a special write-up of that in the next week or so.

Paperback 62: Due or Die / Frank Kane (Dell First Edition B174)

Paperback 62: Dell First Edition B174 (PBO, 1961)

Title: Due or Die
Author: Frank Kane
Cover artist: Harry Bennett


Best things about this cover:

• It's got a lot going for it: redhead, cigarette, and alcohol all represented within about one square inch of the cover, plus fierce heels and a trench-coated dude looking on, wryly.
• I think she is a monster. Why can't we see her face? Why?
• Answer: she doesn't have one.
• Actually, I think her face is some kind of hologram projector, and Johnny Liddell standing in the doorway is the resulting image: "Help me, drunken redhead, you're my only hope."
• There is a Perma Books version of Hammett's The Glass Key that (if memory serves) looks Just like this cover. Frank Kane is no Dashiell Hammett, in case you're wondering.

Best things about this back cover:

• "Kill Joy" - good idea. You meant Joy Behar, right?
• I like Johnny Liddell's mug just peeping out of the wallet slot.
• I also really like the line about the fat man in the phone booth. Now that's good cover copy.

RP

Paperback 19: Cardinal C-362

Paperback 19: Cardinal C-362 (1st ptg, 1959)

Title: A Murder Is Announced
Author: Agatha Christie
Cover artist: Harry Bennett

Yours for: $7


Best things about this cover:

Not much, except the fact that this woman can apparently make the phone magically float up to her face. Otherwise, this is a pretty generic late 50s cover.

RP