57 Books from the University Book Sale: Book 55

Titles: Catch-as-Catch-Can / Then Came Two Women
Author: Charlotte Armstrong
Cover artists: Uncredited / Uncredited

Yours for: $9

• Had mainstream cover artists / designers just given up by the mid-60s. I'm seeing a lot of slop lately. What is the concept here? Girl in pink dress running — OK. But then, what, a rough pencil sketch of her shins from a different angle, blown up as a background + random EMT running to check her gigantic left ankle + wee man tickling her right heel??? Maybe the lady in the pink looks so nauseous and is running so fast because she's trying desperately to escape from this cover concept. "Oh god, it's terrible, boo hoo, save me!"
• When Drexel Drake talks, people ... honestly, I don't know what people do. Drexel Drake is a porn name.

• Responsible housewife by day, trashy Cougar by night...
• Love the attire on the women. Also love little miss Bad Seed in her best buggy-riding attire.
• "God, I hate my two moms..."
• That is some supernatural shit that Bad Seed's hair is doing at the tips.

Page 123~ (from Catch-as-Catch-Can)

But she could see. That his hand and arms moved nervously and secretly to thrust the gun into the thick shrub beside which he was standing. He turned his body and wavered like a shadow.

Who let her break that first sentence in two like that?! Jebus! Also, I'm trying to imagine what that last sentence is supposed to look like. And failing.

~RP

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Paperback 204: The Girl Who Had to Die + The Blank Wall / Elisabeth Sanxay Holding (Ace G-512)

Paperback 204: Ace G-512 (1st ptg / 1st ptg)

Title: The Girl Who Had to Die / The Blank Wall
Author: Elisabeth Sanxay Holding
Cover artist: Uncredited / Uncredited

Yours for: $11


Best things about this cover:

• There was this floating head that liked to eat sailboats, which made the tall, dark, mysterious man on the beach very sad. The end.
• What is it with the rainy day covers on all these Holding novels? Dreary and decidedly unhot. More skin, please.
• Actually, on third or fourth look, the streaks look less like rain than like the trim on some elaborate fur hat. Or a really, really bad haircut.

Best things about this other cover:

• This is one of my favorite pieces of crime fiction ever written. Ever. Seriously, it's that good. And unusual. Super suspenseful, with really complex and interesting characters. Women that aren't just femmes fatales. Just great. Provides a fascinating glimpse into domestic life during WWII (i.e. while the husband is away at war). Wish it would stay in @#$@ing print!
• More lazy art. Etch-a-sketch posing as op-art. And I think the guy from the other cover just walked through the book and ended up here. That lady is not a very good hider.

Page 123~ (from The Blank Wall)

"Here's something you might be glad of," he said, and held out three little capsules, bright yellow.

~RP

Paperback 166: Wild Wives / Charles Willeford (RE/Search, unnumbered)

Paperback 166: RE/Search nn (unknown ptg, 1987)

Title: Wild Wives
Author: Charles Willeford
Cover artist: Terri Groat-Ellner

Yours for: $25


Best things about this cover:

• "Go on, big boy. Do your worst! I ain't ascared of your gun."
• Something about her pose makes her look not sexy but lopsided. Like her torso is the upper layer of a cake that is shifting.
• I don't know what you call this style of dress, but it is hot. Hott.
• I need a word for "gun/crotch" interaction. Wait. I think I just coined it.
• It's weird / disturbing the lengths to which the gun/phallus connection can be taken in cover art

This is a late 80s reprint of a 1956 paperback ("Wild Wives" was first published as a special bonus story within the covers of another Willeford novel, "High Priest of California").


Charles Willeford is a Noir Fiction god. Coincidentally, I just finished teaching his "Pick-Up" in my crime fiction class (seriously, just finished ... yesterday). Smart, beautifully (clearly) written, often funny, and, in parts, genuinely shocking. I have a strong hankering now to read as much of his stuff as I can.
This reprint is surprisingly rare, hence the price. Willeford is pretty collectible in any form (except, perhaps, the Library of America version I used in my class - that volume ("Noir Fiction of the 1950s") is gold: Highsmith, Thompson, Himes, Goodis, and Willeford. Here's a review by Terry Teachout (another weird coincidence - I just mentioned Teachout, specifically his bio of Mencken, in my last post for this blog)


Best things about this back cover:

• Blurbs from actual people / media outlets you might have heard of
• What is with the insane, jagged, fire-licking design?
• This book is dated 1987 ... and yet we are told that Willeford died in 1988 ... That's foresight.

Page 23~

I gathered the heavy tweed of her skirt in my hands, and lifted. The heat of her body reached out for my hands. The flesh of her was firm and yet oddly relaxed.

The rest of the quote you can see in bold on the back cover of the book (!).

~RP