Paperback 359: The Drowner / John D. MacDonald (Gold Medal k1302)

Paperback 359: Gold Medal k1302 (PBO, 1963)

Title: The Drowner
Author: John D. MacDonald
Cover artist: Stanley Zuckerberg

Yours for: $25


Best things about this cover:

• Lesson: brackish, green water—not for swimming.
• Fantastically creepy cover. That dude pulling her down must have one powerful set of lungs. or SCUBA equipment.
• Love the bubbles—nice touch to make sure they're coming from him (I assume it's a "him") as well as her. Also love the way the words cascade down the side of her struggling body. Accentuates the scary verticality of the whole cover.

Best things about this back cover:

• This I like less.
• Without the struggling lady to complement them, the vertically arranged words here just look stupid and purposeless.

Page 123~

If the fork hesitated on its way to the healthy mouth, it was a faltering so minor he was unable to detect it. But she looked considerably less friendly.

~RP

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Paperback 357: Night Train / Kenneth Millar (Ross Macdonald) (Lion Library LL40)

Paperback 357: Lion Library LL40 (2nd ptg / 1st thus, 1955)

Title: Night Train
Author: Kenneth Millar
Cover artist: Samson Pollen

Yours for: $22


Best things about this cover:

• I think there is a single scene in this book that is set in a jazz club. Why they have completely de-crime-fictionized this cover, I don't know ("A Bold Story of Fierce Desire"??), but I'm glad they did—the painting is fantastic: vibrant and chaotic. You rarely see a black woman in the position of sexy dame on these covers—very nice.
• I like the guy right behind her—the guy you are very likely to miss if you're sucked into either the playing/dancing or the steamy glance between Ms. Bar Lady and Mr. Ne'er-Do-Well. The guy behind her—he's the one I want to know. He's either tailing that guy, or he's just thinking "Really? That guy? She must be working some angle..."
• Love the guy in the foreground with the cigar! He is sooo happy to have that cigar!
• What is up with the letter spacing on the tagline? Letters get closer together as title moves left to right. It's like a 3rd grader wrote it by hand and ran out of room as she approached the right margin
  

Best things about this back cover:

• This is (pretty much) the cover of the original Lion edition of this book (which I own ... hey, wait, I've already blogged it—it's here! Check out the art parallels)
• Ross Macdonald was (understandably) saddled with the "Chandler/Hammett" mantle early on in his career, and despite a period of phenomenal fame (peaking around 1970), he just wasn't the artist either Hammett or Chandler was, and hasn't had their longevity. I know I am in the minority here, but I'm not a big Macdonald fan; I especially don't care for the Lew Archer stuff. Archer's just a smarmy, dull, self-righteous Marlowe. A Not-Marlowe. A Marl-faux. Sadly, he's also the model for virtually every P.I. that came after him.
• There is more than a "trace" of Freud in Macdonald's work; when reading Macdonald, I often feel like I'm reading a novel whose sole purpose is to illustrate some concept from Psychology 101. If I remember correctly, though, this pre-Lew Archer stuff is pretty tight and entertaining.

Page 123~

Mrs. Tessinger was extraordinarily vivacious. Her bosom seemed higher than ever, and her waist tighter.

That's a nice, lecherous eye the narrator has there.

~RP

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Paperback 355: Strip-Tease Girl / Cal Anton (Beacon B266)

Paperback 355: Beacon B266 (PBO, 1959)

Title: Strip-Tease Girl
Author: Cal Anton
Cover artist: Uncredited

Yours for: $40


Best things about this cover:

• I'm pretty sure this is why God invented paperbacks.
• The topic, the painting, and the cover copy are all exquisitely sleazypaperbackesque.
• That is one fantastically ugly table.
• Pardon my ogling, buy her rack is phenomenal. A hair's breadth away from seeming fake.
• Love that "—AND DELIVERED" is in red! Hot. Feverish, even.
• Also love the lack of a possessive pronoun before "JADED SENSES"; are they hers, his, yours? Who can say?

Best things about this back cover:

• She also couldn't center her words or stick to one font, and was overly enamored of tiny type.
• "Goggling!" "Queenly hips!?"
• "Inevitably..." HA ha. "I mean, come on—what else was she gonna do with that body?"
• "... and even a woman or two" HELLO! Way to bury the lead, guys.

Page 123~

"Well, I know the place like a school teacher knows a book. Shoot the questions. Mike," he ordered, "how about a head on this coffee?"

Conversation continues with equally forced-sounding attempts at colloquial patter. "Like a school teacher knows a book" is about the flat-fallingest simile I've ever heard. "Which book?" "Oh, you know, *a* book."

~RP

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Paperback 348: River Queen / Charles N. Heckelmann (Graphic Giant G-221)

Paperback 348: Graphic Giant G-221 (2nd ptg, 1957)

Title: River Queen
Author: Charles N. Heckelmann
Cover artist: Uncredited

Yours for: $6


Best things about this cover:

• That's up there with the most maniacal expressions I've ever seen on these covers
• Either his upper body is way out of proportion to his lower body, or that is one blousey top
• Look at his right pinky—it's like he's holding a cup of tea
• Her boobs are going to come out of that dress in 5, 4, 3 ...
• Fear hand!
• "Rawhide II: Rawhider!"
• "War and Love on the Mighty ... Missouri?" Really? I'm sure it's a fine river, but it feels like carob to the Mississippi's chocolate, i.e. a poor substitute
• "Heckelmann?" Really?

Best things about this back cover:

• That boat explosion looks like it was drawn by a child—a child who has no concept of how things explode. I mean, the boat appears to be utterly intact. The explosion lines are comically straight and debris-free. The explosion *does* appear to have catapulted those two fighting guys high into the air—that's *pretty* realistic.
• "Indian-proof," HA ha. Wonder what SPF that is.
• "Hey, baby, mind if I battle my way up your flaming shores...?"

Here's the title page illustration:


Page 123~

The flag whipped jauntily in the stiff, morning breeze.

That comma is super ridiculous.

~RP

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Paperback 346: Death Takes an Option / Neil MacNeil (pseud. of W.T. Ballard) (Gold Medal 807)

Paperback 346: Gold Medal 807 (PBO, 1958)

Title: Death Takes An Option
Author: Neil MacNeil (W.T. Ballard)
Cover artist: Uncredited (can't read that signature) [probably Gerry Powell]

Yours for: $10


Best things about this cover:

• Ugh—somewhere in the 800s, perhaps a bit earlier, GM covers tend to get ugly as hell. There's this aesthetic that is all about sloppy. Everything looks sketched and half-finished and generally terrible. Also, the books seem flimsier overall, but that may be an unfounded impression. All I know is that lady's right thigh is a cartoonish "flesh" tone, esp. compared with the flesh on the rest of her body.
• What the hell is up with that guy? Is he a. rapping b. playing a zombie c. walking on a very narrow beam or d. about to put a quick end to a pig-catching contest?
• Title appears to be an allusion to 1934 Fredric March movie "Death Takes a Holiday."
  

Best things about this back cover:

• Only one thing: "Their descriptions."

Page 123~

She had red hair and good eyes and a beautiful figure. He wondered if the stories were true that some of these girls were dancers who, coming to Vegas with a company, found out that they could make three times as much juggling a tray as they could kicking their legs in one of the floor shows.

"What's your name, honey?"

~RP

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Paperback 345: Devil Ray, Devil Woman / Seymour Shubin (Beacon 167)

Paperback 345: Beacon 167 (PBO, 1960—Australia ed.)

Title: Devil Ray, Devil Woman
Author: Seymour Shubin
Cover artist: Uncredited

Yours for: not for sale (gift of Doug Peterson)


Best things about this cover:

• "Do you like my hair up, or ..." "Yeah yeah, sure, now are you gonna get naked or not?"
• OK, which is it? A Flaming Story or a Sophisticated, Dramatic Tale. I got no time for this wishy-washy in-between crap.
• "To Most" is my very favorite part of the cover copy. I mean, "in search of forbidden excitement" makes so much more sense, but any reasonably qualified copy writer could come up with that. It takes a true master of whatthefuckery to rephrase it so that we're left wondering not just what the excitement is, but for whom it is not "forbidden" but entirely licit.
• She has a nice figure. I'm just sayin'...
• I hope she's standing well away from the bed, bec. otherwise she is a giant or that smoking (!) hot guy is criminally diminutive.
• That's one slab of a bed.
• Worst title! "The woman, she is a like a Devil Ray, in that she is devilish, and ... Devil Ray has the word "devil" in it, so ..." Imagination!

Best things about this back cover:

• Ugh. It's a text bloodbath back here.
• So this is an ordinary soft-core sex novel, with stock footage from a Jacques Cousteau special? I can't wait.

Page 123~

"Sure no one a beer?" and now Tony was in the doorway.

I swear to you that I have typed that exactly as written, character for character.

~RP

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PS I *thought* I'd seen this cover somewhere before. Well, I hadn't, but here's something close: Paperback 63, Variation on a Theme:

Paperback 342: I Fear You Not / Ben Kerr (Popular Library 763)

Paperback 342: Popular Library 763 (PBO, 1956)

Title: I Fear You Not
Author: Ben Kerr (pseud. of William Ard)
Cover artist: Uncredited

Yours for: Not For Sale

Best things about this cover:

• "C'mon, this is prime lady flesh. At $4.95 / lb. ... you're not gonna get a better price than that!"
• "Take My Wife... seriously, take her, she's drivin' me and my pal Barney here nuts!"
• "Hi, Steve? I'm just calling you from my bubble bath to tell you that I fear you not, OK? OK, bye."
• *He Bought Cops The Way He Bought Women ... With A Nice Dinner And A Little Sweet Talk*
• "Down I Go," HA ha.
• The exclamation point motif (continued, in spades, on the back cover) is Exquisite.

Best things about this back cover:

• Poor Rita: "Ok, I've got on a sweater, parka, overcoat, headscarf ... so how 'bout now?" "Nope, sorry, you still look naked." "Damn it!" "Maybe tweed will work. Try tweed."
• Poor Paul: It's hard to come out to your mom, on the phone, in the '50s.
• Poor Gloria: She just looks really, really stupid.

Page 123~

He watched dispassionately as her shadowy figure gathered up clothes and put them on. It was a lithe young figure, a pleasure to watch in motion, but its bloom was aborning."

Easy on the thesaurus work there, Yeats. "Aborning?!" As in "Your writing is 'aborning' me to tears?"

~RP

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Paperback 339: The Case of the Backward Mule / Erle Stanley Gardner (Pocket Books 6083)

Paperback 339: Pocket Books 6083 (5th ptg, 1961)

Title: The Case of the Backward Mule
Author: Erle Stanley Gardner
Cover artist: Uncredited

Yours for: $6


Best things about this cover:

• A conceptual mess. What century is it? Why is the space princess massaging her scalp, and what does it have to do with bizarrely mustachioed Chinese man on the donkey? No wonder I've never heard of "Terry Clane" and "Inspector Malloy"—how do you expect to get an enduring series off the ground with this muddled a marketing campaign?
• "Behold, as Eva Gabor summons miniature Chinese ghosts from the distant past using the power of her Magic Updo!"
• God, the more I look at this cover, the uglier and sillier it gets. Different colors on all the different (stupid) fonts? I'd cut Everything But The Girl and start over.

Best things about this back cover:

• "Don't touch anything! You're leaving blue fingerprints everywhere!"

Page 123~

"In our business, we don't do too much speculative thinking, Mr. Clane. We investigate. And when we investigate we make it a point to cover all of the possibilities."

"I see."

"Even," Malloy went on, "including that poker-faced Chinese servant of yours, Yat T'oy."

"I see."

~RP

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Paperback 336: The Case of the Daring Decoy / Erle Stanley Gardner (Pocket Books 6001)

Paperback 336: Pocket Books 6001 (1st ptg, 1960)

Title: The Case of the Daring Decoy
Author: Erle Stanley Gardner
Cover artist: Uncredited

Yours for: $9


Best things about this cover:

• The bottom 1/2 inch is horribly soiled; otherwise, this copy is close to perfect, and words can't describe how much I love this cover painting.
• Well, maybe they can. I think that if you look up "Hot Mess" in the dictionary, this picture is there. Sexy dissolution personified. All that orange, and the booze, and the smokes, and the stairway to nowhere, just add to the smoldering hotness of the whole scene. First rate cover art. Just wish I had an artist credit!

Best things about this back cover:

• Perry Mason looks like somebody's grandma. Pancake make-up much, grandma?
• Random orangeing of words. That's a new tactic.
• "Hell's bells!" is a great way to lead off your back cover copy.

Page 123~

"You knew her rather intimately, I believe."
"Are you making an accusation?"
"I'm asking a question."

Technically, you were making an insinuating statement, Perry, but ... I'll allow it.

~RP

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Paperback 326: Terror in the Sun / Richard Glendinning (Gold Medal 237)

Paperback 326: Gold Medal 237 (PBO, 1952)

Title: Terror in the Sun
Author: Richard Glendinning
Cover artist: Barye Phillips

Yours for: $15


Best things about this cover:

• Sexy swamp ninja.
• It's a weird cover—eerily still. Not tarted up. Not violent. Works by suggesting the threat of approaching menace. I admire her locks and curves, but the focal point of this painting is clearly her eyes. The sideways/backwards glance. Like someone's following her. Cool.
• Realistically, she's about three seconds from being blindsided and devoured by a crocodile.

Best things about this back cover:

• Leaving aside the nonsensical quality of the simile (original sin just *is*—it doesn't "sweep"), I love that first sentence. And the second. And the last.
• Having read this back cover, I know almost nothing about this novel, but this kind of skeletal, sparse, overdramatic cover copy is far more likely to hook me than a clear or thorough description of the plot might. I don't wanna know what happens. I wanna know what it's gonna *feel* like to read this thing.

Page 123~

"Oh, I'm tough enough, Johnny boy. I have to be hard because I want things the soft can't have. I know the way I've got to go to get them, and I won't mind squaring a few accounts along the way."

Wow. That is pure hard-boiled poetry. Quintessential tough dame talk. I think I love you, Swamp Girl.

~RP

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Paperback 324: Keep Cool, Mr. Jones / Timothy Fuller (Dell 594)

Paperback 324: Dell 594 (1st ptg, 1952)

Title: Keep Cool, Mr. Jones
Author: Timothy Fuller
Cover artist: Robert Stanley

Yours for: $11


Best things about this cover:

• If the ridiculously low-cut blouse didn't get you looking at her boobs, the gun is there to point you in the right direction.
• "Get me a brisket, Mr. Jones."
• "What? We like to be surrounded by cold slabs of meat when we do it. Don't judge us."
• She has an interesting variation on Fear Hand™—like she's timidly waving at the gun-wielder ("uh ... hi honey") or about to sling her web à la Spidey.
• Jupiter Jones ... and ... January Jones ... in ... 'We Meat Again'!

Best things about this back cover:

• "For design inspiration, we're going to give you a hard-boiled egg and two dominoes."
• You'd expect the final tagline to be some kind of outrageous pun or exciting teaser, not a *literal description of what you can see on the cover.*

Page 123~

Bateman put a telephone on the bar. When Jupiter walked up to it Joe nodded quickly at Maney and whispered, "Drunk and ugly. Watch it." And then, normally, "All the comforts of home."

~RP

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Paperback 321: Wicked Women / ed. Lee Wright (Pocket 1263)

Paperback 321: Pocket 1263 (PBO, 1960)

Title: A Butcher's Dozen of Wicked Women
Editor: Lee Wright
Cover artist: Morgan Kane

Yours for: SOLD!


Best things about this cover:

• If they'd just get rid of the text and let me see what she's looking at, this cover would be perfect.
• Great Girl Art, Girl With Gun, Gams Galore, all overlooking a cityscape. I live for covers like this. Subtle, sexy, delicious. Her arm position, her hip cock ... perfect. If I woke up in a hotel room and *this* is what I saw when I looked over at the balcony, I could die a happy man.
• Problem: the painting gives off an urban, hard-boiled vibe. Those authors ... do not. I mean, they're fine, if you like more traditional mysteries, but the ones I recognize are somewhat cozier than authors I tend to read. There *is* a Kenneth Millar (aka Ross Macdonald) story inside. Not sure why he's not on the cover, as he is pretty well established at the time of this book's release.

Best things about this back cover:

• Cool '60s design — vaguely rectangular swatches of different bright colors arranged in asymmetrical relationship to one another — continued from front cover.
• I'm torn between the practical Lucy and the vengeful Daihili.

Page 123~

from "Suspicion," by Dorothy L. Sayers

He sipped it thoughtfully, standing by the kitchen stove. After the first sip, he put the cup down. Was it his fancy, or was there something queer about the taste? He sipped it again, rolling it upon his tongue. It seemed to him to have a faint tang, metallic and unpleasant. In a sudden dread he ran out to the scullery and spat the mouthful into the sink.

I read one novel by Sayers and the mystery (or rather, its solution) was So preposterous that I never read another. I will say, however, that the woman knows her way around a sentence. She translated Dante, after all.

~RP

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Paperback 310: Four O'Clock on Friday / Philip Storey (Novel Library U177)

Paperback 310: Novel Library U177 (PBO, 1961)

Title: Four O'Clock on Friday
Author: Philip Storey
Cover artist: Robert Bonfils

Yours for: $22


Best things about this cover:

• Oddly unmoving for a peek-a-boo nightie cover.
• "I like to paint with my hands — much more sensual than painting with rollers or brushes. I call this color 'The Blood of My Latest Victim.'"
• "Pretend you're shopping..." — sorry, but your role-playing skills need some work.

Best things about this back cover:

• "Tits!" — ha ha. Klassy.
• I love how the plot description basically alleviates us from the burden of reading for the plot, thus freeing us up to scan quickly for the "part-lesbian" (?!) scenes.
• I also love how the cover copy seems hell-bent on debasing the word "hero" as much as possible. Starting with "The hero is a personnel manager..."
• "This, however, is not complicated enough" — I'm gonna disagree with you there, partner — though the "weird brother" plot does have, uh, novelty on its side.

Page 123~

"You could have knocked me over to hear Celia had been married to Fred all along. You knew it? Oh yes, darling, I can see it in your handsome face. Don't be made at me, love, I'll never talk."

It would be hard to express to you how poorly this book is written without also boring you to death. Also, I think "Don't be mad at me, love, I'll never talk" should have been the tagline of this book.

~RP

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57 Books from the University Book Sale: Book 56

Actually, I have no idea what the last two books are from the Book Sale. They appear to have sort of blended in with the rest of the collection. So the last two books will just be ones I can't place, not yet officially in The Collection — stuff that *could* have come from the Book Sale. Enjoy.

Title: Some Slips Don't Show (Pocket Books 6095, 1st ptg, 1961)
Author: A.A. Fair (aka Erle Stanley Gardner)
Cover artist: Harry Bennett

Yours for: $8

• Expression on that guy's face is Nightmarish. That chair, however, is pure '60s gold, as is the Jackie-O style of Miss Primping there. I love the mysterious inscription over Dean Martin's ugly cousin's head: "Amy." It's as if he's thinking, "Amy, I'm sorry I barfed on your other dress."
  
• I believe this painting represents the seated drunk green guy's perspective. He's so sloshed that the objects of his ogling have huge, sickly, sweeping motion lines. Throwing back her hair creates a Pollockesque swoosh. Kind of looks like the number "9."
• On second, or third, glance, I believe that that is not a chair he's sitting in, but a hovercraft. He's reminding more and more of that Martian from the "Flintstones" every time I look at him.

• Seriously? You decide to reprise an image from the front cover and you choose *him*!? "Hey, [hic!], look at me! I'm flying through your doorways! Lady!"
• I'm not sure I get the joke? Is she naked under clothes? Is her slip really showing? Is there a pun on "slip," so that I'm supposed to understand that she's made an error of some sort. Is "slip" some horrible anatomical code word? Only the racially ambiguous drunk alien knows.

Page 123~

"And furthermore," I told her, "don't hand me that line about what I owe you. I don't owe you a damned thing!"

He's short, but Donald Lam can talk down to the ladies like nobody's business (I actually really like the Cool + Lam books by "Fair")

~RP

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57 Books from the University Book Sale: Book 47

Title: Reno Rendezvous (Popular 60-2119, 1st ptg, 1967)
Author: Leslie Ford (last one, I swear)
Cover artist: Uncredited

Yours for: $7

• Kinky.
• I like how the accidental abrasions on her mouth make her look like a vampire.
• "Thinking about divorce? ... Think Again!" — that should have been the tagline.
• From the neck (*just* below the rope) down, this woman is hot.
• I wish this artist got credit. I'd like to know the name behind this painter with a predilection for neck-snapping. I'll just call him "Snappy." See also...

And the back of "Reno Rendezvous" ...

• "A flying visit to Reno.." — why does that phrasing sound off?
• I wouldn't worry about the "shadow of a noose." I'd worry about the actual noose. That one. There. Around your neck.

Page 123~

She raised her eyes to his, round and blue as delft saucers.

Not so much sexy as comically cartoonish. "You remind me of this anime I saw once..."

~RP

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57 Books from the University Book Sale: Books 8-11

A Mess of March ... I'm moving all the NGAIO MARSH titles to the front of the queue (literally, Roger Daltrey sang the word "queue" as I typed it just now ... freaky coincidence) because one of my readers seems to have a thing for her :)

Book 8: Singing in the Shrouds (Berkley, 1960)
Cover artist: photo?

• A book that takes on the collapsing telecommunications system, apparently
• Her miniskirt has its own miniarm.

• Finally, someone has tamed the wild, native, animalistic mystery novel and made it "civilized literature." Where's my houseboy with the tea!?

Book 9: Death of a Peer (Pocket 475, 1947)
Cover artist: Aargh, uncredited

• This lady's got Fear Hand (TM). In fact, she appears to have a double case of it.
• Ouch. Skeleton key to the eye. That's gotta hurt.

• Well if it's WEALTHY, of course we care...

Book 10: Death of a Fool (Avon T-254, late '50s)
Cover artist: Uncredited

• Fear Hand! (TM)
• Jenny recoils in horror as she sees that her gardener has failed to blow all the leaves off her front lawn. And squirrels on her bird-feeders!? Oh, the humanity.

• Inspector Alleyn arrives to cut through the heathen nonsense of the simple souls. Civilization! God save the Queen, wot!

Book 11: Swing, Brother, Swing (Pocket 762, 1951)
Cover artist: Lew Keller

• "Swing, Brother, Swing ... for Hepcats only, man!"
• Secret ingredient to all good mystery cover copy — just add "... with DEATH!"

• I'm sorry, I started laughing at "accordion" and haven't stopped yet

~RP

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Paperback 302: Behold This Woman / David Goodis (Bantam 407)

Paperback 302: Bantam 407 (1st ptg, 1948)

Title: Behold This Woman
Author: David Goodis
Cover artist: William Shoyer

Yours for: $40


Best things about this cover:

• Only four?
• Behold these boobs!
• Love the guy's hand: "... must ... not ... fondle ..."
• Notice how often woman is front and center on pb covers while man is off to side, lopped off, seen from behind, kind of in shadows, etc. Woman is meant to be a very particular dish, while man is usu. a kind of Everyman. Or Anysap, I guess.
• Now that I look more closely at the picture, I think that the guy is an interior decorator who is having a coronary after witnessing the pink rococo orgasm that is this room.

Best things about this back cover:

• I'm going to go with ... the knife jammed into the window sill. Yes, that's the best thing.
• Actually, I'm loving the little blue and pink Yes / Buts.
• Wow, the original cover girl for "Behold This Woman" was all kinds of ugly.

Page 123~

The gray-haired man was annoyed. "What do you mean, help you?" he said. "What do you take me for, an ignoramus?"

~RP

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Paperback 300: The Winds of Fear / Hodding Carter (Popular Library 300)

Paperback 300: Popular Library 300 (1st ptg, 1950)

Title: The Winds of Fear
Author: Hodding Carter
Cover artist: Rudolph "Creamy Skin" Belarski

Yours for: $23


Best things about this cover:

• "The Winds of Fear hurt my ears."
• That is the rackiest rack I've seen in a while. Those boobs look oddly fake for 50s boobs. Braless boobs of that magnitude should not do what those are doing, i.e. remaining perfectly taut and nearly perfectly spherical, defying gravity, etc.
• Not enough people are named "Hodding" these days. Damn shame.
• I can't tell if the sheriff is assaulting the poor black man with his heat vision, or if the black man shoots fire out his ears when he gets real angry.
• I usually avoid things that are both angry and probing...
• Complete and utter (and eerie) coincidence that "Paperback 300" is actually numbered 300.

Best things about this back cover:

• "KICKED OPEN," I say.
• "Cancy!" The absurd name train just won't stop runnin'.
• "A scheming honkytonk girl" — now we're talking.
• "Decent people protested ..." Why do I have a feeling I won't find them "decent"?

Page 123~

Colored boys from Carvell City and from near Carvell City were complaining of mistreatment and humiliation, or boasting from overseas of another world where white girls and sort of white girls in England and North Africa looked favorably on soldiers with dark skin.

"Sort of white girls" is a new category to me.

~RP

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Paperback 298: Call Me Deadly / Hal Braham (Graphic 152)

Paperback 298: Graphic 152 (PBO, 1957)

Title: Call Me Deadly
Author: Hal Braham
Cover artist: Walter Popp

Yours for: $30


Best things about this cover:

• Nearly everything — this is late 50s paperback gold. Love the weird cropping provided by the ornate frame, and then again by the beaded curtain! Then there's Fabulous Girl Art (killer dress), jazz guitar, mystery hand w/ gun, Broderick Crawford lookalike with fat cigar ... all in a tight, barely read paperback.
• The title is awesome in inverse proportion to the cover painting's awesomeness, i.e. the title is a sad, unimaginative rip-off of a Mickey Spillane title (movie version of which came out just a couple years before this novel). Paint brush font on "Deadly" is kind of cool, though.
  
• Love Graphic Novels for their (frequent) crediting of the cover artist on the publishing info page, though here you can actually see the artist's signature (right under "25c").
• Gun/vagina proximity here is oddly common. Here's a variation. There will be more. Maybe I should make "guncrotch" a label... oh, wait, it already is.

Best things about this back cover:

• See that red dot separating the paragraphs? It's like it was drilled into the cover with a bore. Deeply embossed. Weird as it sounds, it's the first thing about this cover that caught my eye.
• Love their dockside dancing! Put any energetic music on your iTunes and then look at this painting. They are totally dancing. Nothing else can explain what she's doing with her left hand (mysterious hand gestures ... seems like a recurrent theme).
• I love how the cover copy starts out campy and ends up in nearly incoherent lunacy.
• "... between them, an unholy shadow murmured: 'There's no way you can tightrope walk in that dress, Gini ... Go on, I dare you ...'"

Page 123~

She said finally, "So this is the lion's den. What do you do with your spare time, Dillon?"

I shrugged. "I have the television for sport, there are books and records. It depends."

"Gets a bit monotonous, doesn't it?"

"It does," I admitted.

This is like the "Don't" column from a 1950's "How To Pick Up Hot Chicks" manual.

~RP

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Paperback 296: The Dreadful Night / Ben Ames Williams (Popular Library 155)

Paperback 296: Popular Library 155 (1st ptg, 1948)

Title: The Dreadful Night
Author: Ben Ames Williams
Cover artist: Rudolph Belarski

Yours for: $16


Best things about this cover:

• "Hello, police, I'm being pursued by ... hello? ... damn, this isn't my phone!"
• Rudolph Belarski: Master of DramaticHands (TM)
• That look is not fear. It is sadistic glee. And the man with the hands is not coming after her. He's about to keel over backwards. See, she has just plucked his heart from his chest with one vicious, kungfu strike. "Ha, take that, you bastard! Hey, I can hear the ocean in this thing..."
• "A Novel of Love, Hate and Death" — yep, that pretty much covers it.
• That's some structured swimwear, that is.
• Why is she at the seashore during a thunderstorm?

Best things about this back cover:

• Text me!
• "Adah Capello!" — no offense to all the ADAHs out there, but come on!
• God, these Popular Library back cover write-ups are dreadful. It's like a 9-yr-old kind of sort of recounting what happens in a book he's just read.

Page 123~

Marco the dog was there [I want to stop the quote right there], swimming this way and that, barking incessantly in a frenzied and pitiful fashion; behind his head a wide ripple spread as he quested to and fro..."

Uh ... "quested?" Is he a knight-dog?

~RP

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