Paperback 304: Seven / Carson McCullers (Bantam Giant A1235)

Paperback 304: Bantam Giant A1235 (1st ptg — unusually, labeled "First Edition" — 1954)

Title: Seven
Author: Carson McCullers
Cover artist: Mitchell Hooks

Yours for: $9

• ... in which an Amazon thrashes a little hunchback with a whip, a young Army private steals a heap of seatbelts from Abe Lincoln and Harry Truman, and Old Joe McGuffin asks Joey if he's ever been in a Turkish prison.
• Never was a big fan of the multi-scene cover — too much going on, all the art gets short shrift.

• "A fourth-dimensional quality" — so ... it's a book about time travel, then? Awesome.
• "... the tempestuous seas of human living" — yeesh, dial it back, Cap'n Foley.
• "Troubling of a Star" is a terrrrrrible title. Why not just call it "The Troubling Star" or "Star Trouble" or "Raiders of the Lost Ark" or something?
• New York TIMES (!) gives us perhaps the best one-word review of a book so far: "... ABLE"; that's not a review, that's a suffix.

Page 123~

The child repeated the words, and she repeated them with unbelieving terror. "The tooth tree!"

~RP

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Paperback 258: Perverted Love Slave / Adam Calin (Royal Line 127)

Paperback 258: Royal Line RL 127 (PBO, 1966)

Title: Perverted Love Slave
Author: Adam Calin
Cover artist: in witness protection

Yours for: Unavailable


Best things about this cover:

• Worst. Alarm Clock. Ever. "Alright, alright, I'm up ... dang!"
• "In this house we wear bras and *only* bras! No [crack!] bracelets! [crack!]"
• The lady in the bed is, uh, hot. The lady with the whip is, uh, not. She's pasty and misshapen and has one of the Fry Guys on her head.
• Debbie was distracted from her dominatrix duties when she suddenly noticed a mysterious, massive dollop of lemon frosting at the foot of the bed.
• "She was a lust slave to his every depraved desire" — "his?" Wow, "he" managed to get himself a superior boob job.

Best things about this back cover:

• This feels like it was translated from the Bulgarian in some horrible translating forced labor camp.
• I mean, how am I supposed to do my job? This thing is self-parodic.
• I like how that first paragraph appears to be someone writing out loud, in real time. Stop transcribing every thought you have!
• Misspelling "Jekyll" helps them avoid messy fictional defamation lawsuits.
• "Shame Whims" made me literally LOL.
• My god, the font size, the spacing ... it's all so off, so wrong, so tawdry — the cover copy equivalent of a snuff film.

Page 123~

"I mentioned you to Mrs. Tomane. She's interested in writing. She would like to meet you, since you're writing a novel that has a chance to be published."

"Who told you that?"

~RP

Paperback 239: The Lady Kills / Bruno Fischer (Gold Medal 148)

Paperback 239: Gold Medal 148 (PBO, 1951)
Title: The Lady Kills
Author: Bruno Fischer
Cover artist: uncredited

Yours for: $30


Best things about this cover:

• Sometimes, you just have to stop and recognize awesomeness when you see it. This cover is everything I love about vintage paperbacks in one beautiful package: a paperback original from a very good author, in beautiful condition ... a girl with a gun and a guy with a whip ... a dynamic composition with cool depth of field perspective ... shredded clothing ... a title that is also a complete sentence. My only response when I pulled this off my shelf was "Damn, that's good."
• That's some serious violence; he seems to have @#$ed her up good with that whip, despite the fact that he's holding it in a way that would not be conducive to hurting someone. He's gotta let go of the tip. It's like threatening someone with a gun that has the safety on. Looks cool, though.
• She looks a little like that actress ... what's her name ... star of "Medium" ... like a young version of her ... Patricia Arquette? Is that right?

Best things about this back cover:

• "Old Cleave" = great name for an axe murderer
• This copy is nuts. Makes almost no sense. Is Old Cleave her father? Her husband? What is the "it" in the penultimate sentence? Did our narrator literally see Beth's husband "learn the truth." How exciting, watching someone learn something.
• "Understood least of all" — yes, that's clear

Page 123~

My laughter had broken through the crust of her where words couldn't.

I love a girl with a good graham cracker crust.

Now I'm hungry.

~RP

Paperback 167: The Private Life of Julius Caesar / William Marston (Universal Giant no. 6)

Paperback 167: Universal Giant no. 6 (1st ptg, 1953)

Title: The Private Life of Julius Caesar
Author: William Marston
Cover artist: George Geygan

Yours for: $25


Best things about this cover:

OK, stop. Hammer time. This book was written by the creator of "Wonder Woman." I Am Not Kidding. And yet none of the booksellers at abebooks mention the connection between this book and "Wonder Woman." You'd think that fact would be one of the main selling points. As I looked at the book, I thought "William Marston" sounded familiar, and then I looked inside and saw the author's middle name (Moulton), which rang even more bells. Then I googled. Holy Krap. From Wikipedia:

Dr. William Moulton Marston (May 9, 1893 – May 2, 1947) was an American psychologist, feminist theorist, inventor, and comic book author who created the character Wonder Woman. Two women, his wife Elizabeth Holloway Marston and Olive Byrne, (who lived with the couple in a polyamorous relationship), served as exemplars for the character and greatly influenced her creation.^[1][2]

He was inducted into the Comic Book Hall of Fame in 2006.

• "Polyamorous" pretty much describes this cover - I count five different sexual permutations on the front cover alone - and wait til you see the back cover (and the spine!)
• I love that a "feminist theorist" inspired this (awesome) cover. I guess she who reclines on the bed with the chalice of viscous mauve goo makes the rules. "OK, you kneel! Now you, you kneel more! Kneel wheel!"
• I love how the whipping scene is strategically placed for her (our) viewing pleasure.

Best things about this spine!!!!:

• I love how the kinkiest (albeit minutest) scene in the whole tableau is on the spine - no matter how it's shelved, You Will See Flesh.

Best things about this back cover:

• I know this is an odd thing to say, given the rampant nudity, but those are some well-drawn horses.
• "Your calves are so smooth..." "Oh, that's just the satyr urine. It works wonders. Here, let us pour some on your back..."
• Jeez, a crucifixion, too? It's like the painting's running out of ways to exploit the female form.

Page 123~

from a chapter titled, I swear to god, "Ladies' Night"

The pretty young neophyte walked straight to the golden gate, as she had been told to do, and gave her name and that of her sponsor to the door-slave who stood behind the golden bars.

And thus began the first recorded A.A. meeting.

P.S. "door-slave"?

~RP