
I'm brushing my six-year-old's teeth last night and he asks me if I know anything about "this movie that's coming out" about a girl who has a boring normal life and then all of a sudden she goes through a doorway and she sees her parents except they're not her parents and they want her to sew buttons over her eyes and they say "black is traditional."
And immediately I think Coraline.
Not that I know anything about the movie or the Neil Gaiman book except what I remember from working at Borders way back when and what I read about the posters on Ain't It Cool last week, but it all clicks, and I ask Jack what he knows about this movie, and it turns out they're running the trailer before The Tale of Desperaux, so we go online and check it out. And there we stand in front of the computer, me and my son, watching this incredibly creepy awesome playful thing scroll out in front of us.
I finally got to Borders today, the same one I worked at back in '01, and actually pick up Coraline, and tonight we read the first three chapters before bedtime. And it's everything I want it to be and more. I keep waiting for the moment when it's too scary -- I'm somehow sure that moment will come -- but as of right now Neil Gaiman somehow manages to master the impossible task of making the terrifying both funny and familiar and profoundly unsettling at the same time. My kids are held rapt and so am I. I can't wait to dive back into it tomorrow. Compounding the envy that I feel for the book is its offhand similarity to NO DOORS, NO WINDOWS, which is coming out next year and also features a long dark doorway leading back to the horribly familiar.
Oh well. Good thing there's room for all of us on Oprah's couch...



