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Com.x Expands With Forty-Five Superhero Spinoffs, Killer Rastas, Sweet Death

After impressing with psychological superhero compilation Forty-Five earlier this year, indie comics publisher Com.x is spinning off several of the characters from the original book into new series.

BlueSpear, by Forty-Five creator Andi Ewington, is first off the crowded conveyor belt. Co-written by Com.x publisher Eddie Deighton and previewed in the first half of our gallery above, BlueSpear arrives next spring. Its aquamarine swordplay will be followed by X and Skyline, two more series based on Forty-Five’s heroic creations.

Aside from the superhero spinoffs, Com.x will be tackling Jamaican horror and a morally torn Death who’s tragically trying to save souls instead of reap them in other new series. Ewington’s Post Mort’em is a fun twist on the Grim Reaper: The sneak peek above is a cute inversion of Peter Jackson’s underrated Death-centric goof The Frighteners.

Meanwhile, Bob Marley and The Wailers‘ avatars make an unannounced appearance in Jamaican crime-horror comic Duppy, written by Vertigo editor Casey Seijas and illustrated by Amancay Nicolás Nahuelpán Bustamante and Daniel Warner. Taking place in Kingston near the end of the ’70s, Duppy follows crime lords who are battling for control and taking on Rastafarian mystics summoning violent spirits.

Click through the gallery and let us know in the comments section below if you’re intrigued by Com.x’s independent spirit and artistry or if the publisher has a way to go before it can compete with the big comics guns.

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Tomb Raider Composer Makes Buzzy Music With Honeybee Orchestra

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Composer Troels Brun Folmann finds sounds in strange places, including a honeybee hive.
Image courtesy Troels Brun Folmann

Easily bored composer Troels Brun Folmann has recorded propane-tank drums, stomach growls, squeaking bicycle brakes, wind in the trees and the spanking of girlfriends in his perpetual quest for unique sounds.

But his bravest exercise in offbeat field recordings came about when he overcame a longstanding “love-hate” relationship with honeybees in order to transform the buzzing of a backyard hive into a digitally manipulated piece of dance music.

“I have been stung over 100 times, which led me to believe that I emitted some crazy pheromone that instantly upsets these mighty insects,” the Danish-born composer told Wired.com in an e-mail. “To test my theory and overcome my apiphobia, I deliberately placed myself in this bee garden and started noticing all the beautiful sounds they make.”

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Win a Copy of Deluxe Apocalypse Now Blu-ray Set

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Apocalypse Now remains the last cinematic word when it comes to the Vietnam War. Director Francis Ford Coppola’s ambitious outsider spirit helped his 1979 hallucinatory fable, about a Special Forces captain tasked with assassinating an insane U.S. colonel, become one of the most surreal war films ever made.

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Apocalypse Now schools jingoists on the banality of war.
Images courtesy Lionsgate

The movie’s epic scope unfurls in the exclusive gallery of photos above, which were extracted from a 48-page archival book included in the three-disc Apocalypse Now: Full Disclosure Edition, a Blu-ray package out Tuesday.

The deluxe set includes Coppola’s original cut of his film and his extended 2001 version (Apocalypse Now Redux), plus sobering 1991 documentary Hearts of Darkness: A Filmmaker’s Apocalypse.

Both the $60 Full Disclosure Edition and the $40 two-disc special edition pack more than nine hours of bonus features, and for the first time make Apocalypse Now available for home viewing in 1080P high-definition widescreen and the movie’s original theatrical aspect ratio (2.35:1).

There’s never been a better time to revisit Coppola’s sprawling upgrade of Joseph Conrad’s colonial nightmare Heart of Darkness, a movie with an enduring legacy that places it in the same class as life-during-wartime classics like The Marx Brothers’ Duck Soup and Stanley Kubrick’s Dr. Strangelove.

Giveaway: Win Apocalypse Now Blu-ray

Is Apocalypse Now the best war movie of all time? State your case for Coppola’s gonzo movie or another war epic in the comments section below. One randomly selected commenter will win a free copy of Apocalypse Now: Full Disclosure Edition. Contest ends 12:01 a.m. Pacific on Nov. 1, 2010.

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Trailer: Spider-Man Goes Big Time

New job, new costume, new weapons — Peter Parker goes through some serious changes in Amazing Spider-Man No. 648, which kick-starts the Big Time story arc. The comic book, from writer Dan Slott and artist Humberto Ramos, lands Nov. 10.

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DIY Filmmakers Compete for Free Trip to Sundance

Horror film director Ti West will help decide which filmmakers get a free ride to the Sundance Film Festival in January. Noted for his hyper-gory Cabin Fever 2: Spring Fever, West is judging the Time Warner Cable Short Film Contest, which rewards winners with $500 spending cash in addition to the festival excursion to Park City, Utah.

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Contest deadline is Octpber 31.
Image courtesy Time Warner

To compete for the grand prize, short films between two and five minutes in length can be uploaded at the cable company’s YouTube site.

Besides West, the jury includes IFC/Sundance Channel boss Evan Shapiro and Joe Swanberg, an Austin, Texas-based mumblecore auteur who knows a thing or two about DIY filmmaking: He shot his first feature, Kissing on the Mouth, for $1,200.

The prize package includes a four-night trip for two including hotel, air and ground transportation, movie tickets and invites to VIP parties. Deadline to enter the Time Warner Cable Short Film Contest is Oct 31.

Follow us on Twitter: @hughhart and @theunderwire.

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Tron Variants Transport Marvel Superheroes to Neon World

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Above: Amazing Spider-Man No. 651 Tron variant.
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Spider-Man, Iron Man and other Marvel Comics superheroes get “Tron-ified” on variant covers next month. The 10 November covers, shown above, transport key characters from the Marvel Universe into the neon world featured in upcoming movie Tron: Legacy, which hits theaters Dec. 17.

Disney, which bought Marvel Entertainment last year, is pulling out all the stops to market its highly anticipated sci-fi sequel.

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Trailer: Simon Pegg Meets an Alien in Paul

<a href="https://web.archive.org/web/20101020010611/http://video.msn.com/?mkt=en-gb&amp;brand=v5%5E544x306&amp;from=sp&amp;vid=1b36d664-8609-4637-9dbb-892bd6918703" target="_new" title="Exclusive: Paul - Trailer">Video: Exclusive: Paul &#8211; Trailer</a>

Simon Pegg and Nick Frost play comic book collectors who stumble onto an extraterrestrial near Area 51 in upcoming sci-fi comedy Paul. The first trailer for the movie shows the frequent comedic collaborators, who’ve worked together on howlers Shaun of the Dead and Hot Fuzz, meeting up with CGI alien Paul (voiced by Seth Rogen).

Directed by Greg Mottola (Adventureland, Superbad) and with a script by Pegg and Frost, Paul hits theaters March 18, 2011.

[via Cinema Blend]

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Exotic Visions of Star Wars Inspire Portrait Artists

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George Lucas drew inspiration for Star Wars from sci-fi standards like the Flash Gordon comic books drawn by Alex Raymond. But works by less-likely artists — such as landscape painter N.C. Wyeth and all-American illustrator Norman Rockwell — also sparked the filmmaker's imagination as he conjured the expansive world inhabited by Luke Skywalker and company.

BERJAYA"Every artist that I’ve admired has contributed, directly or indirectly, to shaping the vision that I expressed in the Star Wars saga," Lucas writes in his introduction to Star Wars Art: Visions, an upcoming book that presents the work of 120 artists who've put their own spin on the films' mythology.

Lucas and executive editor J.W. Rinzler corralled artists steeped in a wide variety of styles, commissioning them to produce the Star Wars–inspired works showcased in the new book.

Rinzler began working on the project five years ago. "The first thing George said to me was, 'Check out Heavy Metal magazine," Rinzler told Wired.com in a phone interview. "He wanted the top illustrators and people from fine arts, he wanted the guys who do Western art, people who do history paintings, aviation paintings, NASCAR Formula One racing cars. I said, 'Yeah, that could take a little bit of time.'"

Some of the most striking pieces in the book reflect Lucas' personal artistic sensibility. "George likes figurative artists in the tradition of Norman Rockwell, Maxfield Parrish and the Italian Renaissance," Rinzler said.

Here's an exclusive sneak peek at Star Wars Art: Visions, which hits stores in November for $40, with comments taken from the book by the artists who contributed each piece. Subjects range from Tusken raiders and a very formal Anakin Padawan to a nearly nude yobana and multiple iterations of Darth Vader.

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Fem Trooper

"I’ve always thought stormtroopers had the coolest costumes of all in the Star Wars galaxy," says book illustrator Scott M. Fischer. "In fact, I even had the plastic Halloween costume back in the ’70s and went trick-or-treating as one. But if I were a stormtrooper, naturally I would need the perfect partner, thus the Fem Trooper idea was born! All the coolness of the stormtrooper armor, wrapped around the sensuality of the female form ... the perfect subject to paint!"

Fischer is currently working for Disney on the Tron franchise.

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Win a Copy of Star Wars Art: Visions

Wired.com and Abrams Books are giving away one free copy of Star Wars Art: Visions. For a chance at winning the full-color book, comment below on the Star Wars character or scene you’d most like to see brought to life as a piece of fine art. Deadline is 12:01 a.m. Pacific time, Nov. 3, 2010. A randomly selected winner will be notified by e-mail.

Follow us on Twitter: @hughhart and @theunderwire.

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Video: Tuneful Japanese Robot Mimics Real Singers

By Mark Brown, Wired UK

Robotics researchers in Japan have shown off a new humanoid model that can belt out a tune with both natural-sounding vocals and the facial expressions to make it seem much more realistic.

The robot learns by mimicking a real human singer. The HRP-4C bot listens to the tune and watches the singer’s lips as she performs. Then the humanoid re-creates its own rendition, using software named VocalListener to synthesize its own vocal sound.

That’s run in unison with VocaWatcher, which analyzes a video of a human singer and picks out facial expressions and movements that go along with each note. Those are emulated by the robot’s synthetic face to make the robotic rendition far more natural.

If that wasn’t enough, the robot also picks out the singer’s breathing patterns and replicates those sounds to really seal the deal. Is it lifelike enough to fool you? Watch the video above and let us know in the comments.

After the singing bot was shown off this year at CEATEC Japan, an annual trade show for Japanese technology and consumer electronics, the HRP-4C’s creator revealed his ambitions for his technology. “For robots to become widespread in society, I think they need to be used widely in the entertainment industry,” he says.

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Trailer: Skyline Cues Up the Visual Effects for Hovering Aliens

Blue is bad in Skyline, judging from the beautiful but deadly beams that kick off this new trailer. Once the action moves past an eerie 4-in-the-morning alien probe, co-directors Greg and Colin Strause for the first time offer a peek at the evil entities behind the blue lights.

If you don’t want to know what the extraterrestrials look like, quit watching after the first minute.

Judging from the trailer, this picture probably won’t win any prizes for acting or dialogue, although the heroine deserves credit for screaming “Run!” with old-school conviction worthy of a 1950s sci-fi B movie.

Instead, the Skyline teaser revels in special effects reminiscent of the hovering District 9 alien mothership. The Brothers Strause learned how to craft impressive money shots by producing visual effects for films like 2007’s Aliens vs. Predator: Requiem and next year’s Battle: Los Angeles through their Hydraulx company.

Skyline opens Nov. 12.

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