I see that we are getting very close to a new Wonder Woman TV series, potentially by television genius David E. Kelley, the brilliant creative force behind shows such as Boston Legal and The Practice (and Alley McBeal).
I was startled to learn this only because some weeks ago I had a conversation about this with a friend of mine–not, specifically, about this proposed show, which we did not know about, but about whether or not you could do a credible TV show or movie about this particular character.
See, I’m not sure you can.
Please don’t get me wrong: I really like this character. I have no problem at all with powerful female characters; hell, I wrote a novel about one (one I’d like to adapt to a graphic novel, actually). I also love the genre of superheroes–not exclusively, not as my favorite genre, but it’s as valid a form of fantasy as Westerns, gangster films, mysteries, science fiction, and so on. Done well, it’s all sorts of fun. I gave up regularly reading comic books some years ago, but mostly it was due to time and expense and moving on to other interests; I never lost respect for the art form itself.
I do like superheroes. They’re fun. And I have zero problem with female superheroes. They’re great. I can think of a dozen that would make good movies or TV shows. Wonder Woman just isn’t one of them. I think it’s going to take a powerful imagination–more powerful than mine–to make her work in a modern context.
The problem as I see it with this character is that she was created in the 1930s by two rather forward-looking and progressive psychologists and writers, Elizabeth Marston and William Moulton Marston. They wanted a powerful, athletic role model for young girls who could both be feminine and yet compete in her own right with boys. Running, jumping, fighting bad guys, standing for truth and justice, all that good superhero fantasy stuff. But it was in an era where such ideas were rather strange for girls, and so she carries some 1930s-thinking baggage with her:
Wonder Woman’s real name is Princess Diana. She is the daughter of the queen of Paradise Island (also known as Amazon Island and/or Themyscira). This was an island without any men on it, where the women were more or less immortal and looked over by the Greek Gods, who gave them special powers. Princess Diana was moulded out of clay by her mother, who wanted a daughter but couldn’t have one because there were no men on that island. They stayed completely away from men, and indeed, in most of the old stories, their special powers could be taken away if they allowed a man to dominate them. Wonder Woman was one of these Amazons, who (to make a long story short) left the island to enter “the world of men” and half of what made her story so unique was that she was this figure doing “man stuff” in a world dominated by men, to “prove” that “girls could be like that too.”
It’s 2010. Do we have any shortage of strong, butt-kicking female characters in the movies or on television? I don’t think we do.
I have read a lot of the Wonder Woman stories, starting from the 1930s and 1940s comics, as well as later adaptations and variations on the character, and frankly, while I like her, she has always seemed anachronistic. Her story doesn’t resonate in the modern era; it resonated a little in the 1970s and 1980s, although it still didn’t quite work, but by the 1990s her story seemed completely irrelevant to anything in the modern high-tech world. Women face sexism today but so do men; women are under-represented in some fields but absolutely dominate others. Hell, women are now not just the majority of college graduates, they’re a continually-growing majority. “Yes, girls, look, you can compete with the boys too!” doesn’t strike me as a message that young girls are craving to hear, and most boys have already had that practically slammed into their heads with a mallet since infancy.
Who is this character for? Who does she represent, today?
I have zero–absolutely zero–problem with female superheroes who do ridiculous fantasy impossible things, slinging away bullets, throwing cars, jumping a hundred feet in the air, flying, and so on. It’s Wonder Woman, in particular, I don’t see working in a modern context. How do you make that very 1930s-fantasy character seem like someone people can relate to today? In this part of the world, anyway?
It almost seems as if the only way you can make Wonder Woman work today is to completely change her origin story. But if you change that origin story, do you really have that character anymore? You can fiddle around the edges with the origin of Superman, but he’s still fundamentally this guy from another planet who adopts the Earth as his home and humanity as his family. You can fiddle around the edges with Batman, but he’s still fundamentally a rich kid who got traumatized seeing his parents killed and went off to fight crime. You can fiddle around the edges with Spiderman, but he’s still fundamentally a teenaged nerd who shockingly gets these bizarre powers.
What do you do to fiddle around the edges with Wonder Woman, to make her something other than “a woman in a man’s world” when we no longer really, honestly, live in “a man’s world” in the first place?
I don’t see how you modernize Wonder Woman without making her no longer Wonder Woman. Just someone who sort of looks like her.
(By the way, the 1970s TV show was silly, and barely counts for this discussion, but that show too emphasizes all these rather anachronistic-seeming ideas. To me.)