close
The Wayback Machine - https://web.archive.org/web/20101017021733/http://secretdead.blogspot.com/2005_01_01_archive.html

Monday, January 31, 2005

Broken! Swierczynski Not on MSNBC

Cable news moves fast.

After spending 45 minutes writing jokes, and another hour wandering the city, looking for a can of this fucking "B-to-the-E" crap... my phone rang.

BE

"Hi, Duane, it's Patricia."

That would Keith Olbermann's producer at MSNBC.

"Hey, Patricia."

"I'm sorry, but we're going to have to cancel."

"What?"

"I'll be honest with you. I had pressure from another producer here, and we have somebody from Comedy Central doing it."

"Who?"

"Dave Attell."

Funny guy. Makes sense. But that didn't mean that I wasn't wounded... inside.

"I understand, Patricia."

"But I'll keep you in my Palm Pilot in case-"

By that time, the phone had returned to its cradle.

So there goes that. And my physical appearance will have to remain a mystery for a while longer.

Sorry for the false alarm, guys. But to make it up to you, here are some of the jokes I would have used, if Keith Olbermann had been kind enough to grant me air time:

B-to-the-E? Jesus, that reference is already dated. I mean, why not name the fucking thing "Living La Vida Loca Lite"?

And:

I went around asking local bars if they had that beer with the caffeine in it. They looked at me as if I'd asked, "Hey, do you have that crack cocaine with the Vitamin C in it?"

And:

This beer has ginseng. Which is supposedly an aphrodisiac. Which makes no fucking sense. Beer is already the world's best aphrodisiac. After a few cans of Rolling Rock, I'm honestly thinking: "Jennifer Garner? Yeah, she'd go out with me."

(Of course, I would have deleted the f-bombs on air. Maybe.)

See? This is why I don't do TV.

Breaking! Swierczynski on MSNBC

For those of you (all two of you) who wonder what I look like and have MSNBC on your cable boxes... or if you're a fan of doughy Polish men... or like beer... or doughy men drinking beer... or any combination of the above...

I've been asked to appear tonight on "Countdown with Keith Olbermann" on MSNBC. The topic? That frightening new "B-to-the-E," which adds caffeine and ginseng to perfectly good Budweiser beer. Like, hello--who wants to be awake and drunk out of your mind at the same time?

Anyway, they tapped me, because I wrote The Big Book O' Beer. And I happened to be free tonight. And probably, because they haven't had a Polish guy on in a while, and it was starting to look bad.

The show starts at 8:30 p.m., though I have no idea what time I'll rear my ugly head.

Thank God I wore a clean shirt to work today.

Sunday, January 30, 2005

Keepin' It Wheel

In all of the excitement of the “Junk in the Trunk” experiment, I forgot to mention an important detail:

I have a new name for novel #2.

Just to recap: the book was originally titled Smell the Roses, but some folks (myself included) thought it might sound a wee bit cozy, considering that the story features random acts of violence, forcible detention, alcoholism, vehicular homicide, arson, torture, kidnapping, robbery, gunplay and all of that other cool stuff.

So I consulted my Brain Trust and came up with two alternatives. One of them was Wheelman (which was Al Guthrie’s suggestion) and that made sense. The novel’s protag is a getaway driver—in bank heist jargon, a wheelman. Literal, but cool.

The other title was… well, I won’t give it away, in case I want to use it someday.

I lobbed both at St. Martin’s. The head of Minotaur had a clear preference for the other one—not Wheelman, but said he wanted to sleep on it.

Then decided he didn’t like it, after all.

That kick-started a long week of obsessing over novel titles (detailed in an earlier blog entry.) My editor, Marc Resnick, thought up a bunch of titles, too. Nothing set our collective worlds on fire.

Then, finally, Marc called. The verdict was in.

And the new title?

The Wheelman.

The Hoff

“What?” I asked.

“I know, I know,” Marc said. “I wanted to strangle him.”

“I thought he didn’t like Wheelman.”

“But he likes The Wheelman.”

So there you have it: how a title is born. I like it, with or without the The, to be honest. It’s…

a.) simple
b.) unusual
c.) bank-robbery-related (novel #2 is a bank heist novel)

and

d.) based on an Al Guthrie idea. In other words: toasted nuts, and sweet as gold.

Saturday, January 29, 2005

"Mary Shelley Meets Michael Connelly"

When I first saw this…

Dean Koontz’s Frankenstein

… I thought, Oh no. Dean Koontz is going the Tom Clancy route. Instead of rogue submarines and cyber jihads, we’ll be treated to the Creature of the Month, along with the Guest Co-Writer of the Month.

But then I read the PW review, and I had to admit, it sounded intriguing. Seems this is part Frankenstein's Monster, part police procedural, prompting one Amazon reviewer to call it "Mary Shelley Meets Michael Connelly." Being a horror geek--a big-time Universal horror monster geek, especially--how could I refuse? Especially when part two in the series will be co-written with mystery legend Ed Gorman?

Then the hamster in the little plastic wheel inside my brain really started running. What if today's best crime writers revisited the classics in a similar way? Screw copyright laws for a moment, and imagine with me the sublime joys of books like...

Ken Bruen's Red Harvest

Jason Starr's They Shoot Horses, Don't They?

Allan Guthrie's Shoot the Piano Player

Jeffery Deaver's The Bride Wore Black

Barry Eisler's Casino Royale

Ray Banks' Cockfighter

Karin Slaughter's The Killer Inside Me

Victor Gischler's The Adventures of Sherlock Holmes

Joe Lansdale's The Postman Always Rings Twice

Donna Moore's The Lady in the Morgue

Man, I think Koontz is on to something here. The braintrust at PointBlank should look into this. Let me say this for the record: I've got dibs on Encylopedia Brown...

Tuesday, January 25, 2005

Junk in the Trunk

A few weeks ago, fellow Cabana Boys and mad geniuses Dave White and Bryon Quertermous came up with a crazy idea: a themed story anthology, spread across a dozen or more blogs. Yep, for some reason, they included me in this madness. Here are the instructions I was given:

The idea to get you started is that a character is driving along with something in the trunk when they are pulled over by the police. The character, the something and what happens when they are pulled over are all up to you.

And here, for better or worse, is what my brain spat out.


State Trooper Joke

by Duane Swierczynski

I stuffed her body in the back of the Audi, slammed the lid down, and made a pumping motion with my right arm. Yes!

James Brown was going through my head. I feel good, deh-neh-neh-neh-neh-neh-NEH.

I remembered to lay down plastic and everything.

Not it really mattered. I knew I didn’t have a prayer of outthinking the forensics boys. Fuck, I watch CSI. And really, who wants to go through all of that hassle? If I wanted hassle, I’d have stayed married.

Nah, one weekend was all I wanted. One weekend to myself. If the guys in the overcoats wanted to come and haul me away Monday morning, so be it. An uninterrupted Friday, Saturday and Sunday would be enough. No changing out the screens for the storms. No sweeping out the basement. No mulching. No shining. No wiping. No screaming. No Home Depot. No Body Works. No Bed, Bath nor Beyond.

And now it was time to get drunk.

I checked my watch and saw a stray speck of blood on the plastic face.

See?

That right there. That would have hung me. They would’ve bagged the watch, and I wouldn’t see it again for a few months until my trial, and I’d be sitting next to Scott Peterson as we both got our right legs and forearms shaved. Screw that.

Anyway: it was 10:45 a.m.

The battle plan: pick up enough booze, cash and DVDs to last me clear through Monday morning. Then phone in the tip, and swallow enough allergy pills to make that last bit of Johnnie Walker Blue count. I’ve got heart problems. It won’t take much.

I washed my hands, then drove up three blocks through gray slush to my local state store. The Audi stopped halfway into a parking space. What was I doing? Pennsylvania liquor stores bit the big one. No selection. High prices. Clueless service. And from what I remembered from last New Year’s Eve, absolute shit when it came to champagne selection.

Not this weekend.

No relatives, no kids, nothing else to worry about. Just a debit card—she wouldn’t let me have a credit card—with two grand on it.

Dear, I’m going to get all Veuve Cliquot on your bitch ass.

Ho yeah.

So I took the Audi down Robbins Avenue and winged it over the Tacony-Palmyra Bridge. Roger Wilco’s was just two minutes up the road.

Now I know what you’re thinking: guy with a dead body in the trunk, gonna get pulled over right?

Uh-uh.

Look at me. I’m middle-aged, I’m white, I’m wearing a tie, and I’m driving a decent yet not flashy car. No one’s gonna stop me. Not on a Friday morning.

And if they do, it’d be the first time, and I’d get a book deal out of it.

Hell, I could even pack ice around the body, shove some bottles of ‘pagne back in there with the whore, do it right there in the parking lot, and nobody would look twice.

In fact, that’s what I did. I bought a dozen bottles of Veuve Cliquot Gold Label (1996, $59.99 per bottle—see what I mean about prices?), six bags of ice, and one Johnnie Walker Blue ($174.99). I popped open the trunk, pretty much in clear view of Route 73, and cut open the bags of ice and dumped them all around her. Her eyes were open, and her mouth slightly agape, as if she was about to say something. I wished I had an apple.

With twelve bottles—(“Hey, your daughter getting married?” the clerk had asked; “Yeah, it’s one big family celebration!” I replied)—daintily arranged around her corpse, the J.W. Blue in the passenger seat, I was ready to leave New Jersey for the last time.

A mile from the bridge, just as I was fishing the two bucks out of my overcoat for the toll, I saw the flashing cherry. I pulled over. Checked the rear view: an unmarked car, with one of those mini lights attached to a wire on the hood.

He waved me off the side of the road. I complied. But he kept waving, like, move further off the road. So I did. He kept waving, and I kept moving until I was pretty much behind a giant pink billboard advertising the “Can-Can Girls XXX Peep Show.”

“Good morning officer,” I said, but I had my doubts. He’d turned off his flasher, and both of our vehicles were hidden from the road.

“Lt. Murphy, New Jersey Liquor Control Board,” he said, showing then flipping shut a leather badge. He pointed to the passenger seat. “Did you buy that in this state, sir?”

“Yeah, back at Roger Wilco.”

“I see you have Pennsylvania plates.”

“Right.” And his point was… ?

“Are you aware that it’s a crime to transport alcohol over state lines?”

“That’s still a law?” I was serious. I mean, what was this, the 1920s? Did Eliot Ness still ride his horse up and down the fucking Canadian border, looking for Capone’s bootleggers?

“Yes, sir,” he said, and now I could pinpoint the odd smell on his breath. It wasn’t mouthwash. “I’m going to have to confiscate everything you bought, and levy a fine on each bottle.”

“You are, huh.”

“Yessir. Now step out of the car and open the trunk.”

I knew what was coming next. So I nodded, and reached down and hit the open trunk button. Murphy started around back to check out my stash, and reached down and grabbed my Club. Never used the damned thing; I kept it in here to appease Her Royal Bitchface.

I heard him yell, so I jumped out of the car and came around swinging the Club at his head.

That made him yell again. It was kind of funny. But he shut up once the steel smacked into his skull.

That’s when I noticed the gun his hand, which he squeezed.

Gut shot.

Ouchie.

A couple of minutes—hell, maybe hours?—later, I managed to crawl around and pull myself up into the driver’s seat.

I wasn’t all that surprised to see him sitting in the passenger seat. Blood covered half of his face—thankfully, the half facing away from me. He’d already helped himself to my J.W. Blue.

“You’ve got a dead woman back there,” he said.

“You’re not really a liquor control agent,” I replied.

“Fair enough.”

He handed me the bottle, which I took. I had this funny image of the scotch trickling out of the hole in my gut, like a leak on a hose.

“So what do you do? Take the bottles?”

“Yeah, but the fines are the best part. People really get scared. They usually give me cash. A lot of it. Or we hit an ATM. You know, I can’t see.”

“Sounds like a good scam.”

“I’m just doing this until something better comes along,” he said, taking a long pull of Blue. “So who is she? Your wife?”

“My mother.”

“Huh. I think I’m blind.”

“Long story. Don’t ask.”

“I didn’t like my mother much, either, to tell you the truth. Ah, shit. I can’t feel my legs.”

Which was fine. We drank the hell out of the morning, and I started feeling really dizzy, and then I saw something flash in the rear view. Neither of us had thought to close the trunk. The ice was probably melting.

“You know any good trooper jokes?” I asked.

“What do you mean?”

“You know. The kind where the trooper stops the guy, and he has a wise crack for the trooper, and that’s, like, the punchline.”

“Oh. Yeah. No.”

“Like, sorry, Officer, I was speeding down the highway to put it to your wife. Only they’re usually funnier. I’m not funny.”

“That’s not a crime.”

We drank some more.

“Wait, I got one,” the guy said.

“Good,” I said, and heard the tapping of the revolver on the glass. “Tell him.”

Sunday, January 23, 2005

"Noir Night" at Murder By the Book

Remember the video for “Dancing in the Dark,” where Springsteen is doing the goofy white-boy ski-shuffle, and then he pulls a gobsmacked Courtney Cox up from the audience to do the goofy white-person ski-shuffle with him?

The Boss

That’s how I feel, being invited to a special “Noir Night” on March 24th at Murder by the Book, Houston’s preeminent mystery bookstore.

I have been plucked from obscurity to dance with the Greats.

I am Courtney Cox.

And screw the E Street Band. How’s this for a killer line-up:

Ken Bruen, the Pope from Galway Bay, leading the Jameson-fueled mayhem.

Allan Guthrie, making his American debut, as well as trying to avoid red meat and alcohol. (Dude, this is Texas. Good luck.)

J.D. Rhoades, a debut novelist and fellow member of the St. Martin’s Minotaur family, signing The Devil’s Right Hand and no doubt wondering why we call Al Guthrie “Sunshine.”

Jason Starr, Halle Berry pal and torch-bearer of Goodis-and-Thompson-style noir since the late 90s.

Finally, there’s me, moderating the discussion, and signing copies of Secret Dead Men. (I think I’m pretty much there for comic relief. Oh, and to carry Al’s luggage.)

Anyway, if you find yourself in the Texas way a few days before Easter 2005, you could do worse than stop by and say hello to the Boyos.

Even if we’re just dancing in the dark.

Saturday, January 22, 2005

My Favorite Bruen

Ken's great and all--but he's a mere shadow when compared to his own daughter, Grace Kennedy Bruen. Check out this backblog entry over at Ray's place:

My dad is not very cool.......he tries but he is a lost cause......he loves Homer simpson and writes stabbing books, he keeps listening to some awful band called the Clash.....and doesn't GET Pop Idol or even Fear Factor!!!!
He is a bit intense and when Mum and I tell him to lighten up....he does a guy thing called.....sulking......


If my daughter Sarah grows up to be half this cool, I'll know I succeeded as a parent.

Thursday, January 20, 2005

Once More, With Feeling

No, not the search for a title; I think we've settled on one. Really. More news later, when it's official...

Instead: I've returned to the subject of profanity in my City Paper column this week. Last week's column drew a surprising number of letters, including this one from a reader named Paddy Dougherty:

I don't see anything wrong with cursing. It's free fucking speech. Writing is an art and if a writer chooses to use profanity in their art, then that's their choice. If you don't like it, then don't read it. It's just fucking words anyway.

A-fucking-men, brother.

Monday, January 17, 2005

Rejected Novel Titles (So Far)

Vengeance is More or Less Mine
Beer of the Unknown
Swiss Army Wife
Taste the Blood of Ringo Starr
They're Going to Pay, I Tell You, and They're Not Going to Like It When They Do
Blegh!
Walt into Darkness
Dude, Where's My Getaway Car?
The Postman Always Blings Twice
James Patterson's Smell the Roses
Silence of the Lam
Two Bullets, a Bucket of Gasoline, and a Note from My Mother
Hit
Smack
Paddy
Whack
Give the Dog a Bone
This Old Man Came Rolling Home
Quadruple Indemnity
Green Eggs and Hammett
How to Kill a Man With An Ordinary Pocket Handkerchief
Look, It's Still Moving



Ah, hell.

Sunday, January 16, 2005

No Roses for Mr. Swierczynski

Got a bit of a problem.

I've been asked to think up a new title for my second novel--the one that sold to St. Martin's. The one that's coming out sometime this fall.

The original title is Smell the Roses, which makes perfect sense in context. (It's also ironic, given the plot and mood of the book.) I was trying to follow in the proud tradition of flowers in hardboiled novel titles, a la The Black Dahlia and Red Gardenias and No Orchids for Miss Blandish.

No Orchids

But the thinking is that the average Hardboiled Mystery Fan might take one look, see the word "roses," and think: Ugh, cozy. No thanks.

And I can't say I disagree. I've been worried about the title since the book sold.

So, yeah, new title. Let's do it, right?

Right.

It's so fucking tough. I've never had a harder time writing something in my entire life. Since Christmas I've been racking my brains, trying to the find the perfect word--or series of words--that will convey the weird mix of violence, black humor and mayhem that is Roses... damn, there I go again.

It's like having a two-year-old boy named Pete, then all of a sudden deciding to change his name. I've lived with Pete for a while now--feeding him, burping him, changing his diapers. And now I'm supposed to call him something else?

Like what... Joe-Bob?

I take solace in the fact that James M. Cain had a similar problem. He called his first novel Bar-B-Q, but Alfred A. Knopf hated it and asked for other suggestions.

Said Cain at the time: "There is only rule I know on a title. It must sound like the author and not like some sure-fire product of the title factory. The Rivet in Grandfather's Neck, to my taste, is a lousy title, but as it sounds like [James Branch] Cabell, it is perfect for him."

Of course, Cain had a brainstorm and came up with the gem The Postman Always Rings Twice.

I'm waiting for a similar brainstorm.

Yep, waiting.

Still waiting...

Ah, fuck.

Saturday, January 15, 2005

Exclusive! Secret Dead Gossip!

Blind items... on the Q.T., and very hush-hush...

... WHICH noir writer hasn't noshed red meat in nearly 19 years--yet, is shacked up with a Scottish siren who's said to be sickened by seafood?

... can you PINPOINT the PointBlanker who promised to pierce another PointBlanker with a pocketknife the next time he peeps him? Yeee-ouch!

... WORD ON THE STREET has it that a certain editor at an influential crime imprint is "obsessed" with yellow ink on mass market paperbacks. Sez our source: "He's always going on and on about his yellow hands, and how he'll probably wake up dead the next morning." Paging Dr. Freud...

... HAS a hard-livin' Hard Case Crime hack horned in on a honey of a Hollywood deal? Or maybe two? Just asking!

Friday, January 14, 2005

Profane Men

Fans of swear words might enjoy my editor's letter in City Paper this week... which also includes special cameo appearances by Allan Guthrie, Ray Banks, and Fr. Joe Howarth, my high school theology teacher.

Bet that's the first time those three names have appeared in the same sentence.

Tuesday, January 11, 2005

Kill! Kill! Kill E.T.! Glock E.T.!

A random series of links (don't ask) let me to this story at 1Up.com, a gaming webzine. The set-up: the editors asked a buch of punk PS2-weaned kids (ages 9 to 12) play some old school video games, and then recorded their conversations.

The best bit: this exchange as the kids grapple with the 1983 Atari 2600 classic, "E.T.: The Extra-Terrestrial."

John: He's using his E.T. powers! What does this have to do with the movie? I don't remember the parts where E.T. falls into pits and makes his neck longer….

Kirk: Quit falling into the stupid pit, you piece of s***!

Tim: Can I stop now?

Brian: This controller's crap; you need to sit on top of the TV to play.

[An icon appears in the pit]

John: Yay! You got a…thing.

EGM: What did you get?

John: A backwards C?

Brian: Reese's Pieces? Am I in a different pit this time?

[Ten minutes later, Brian escapes the pit]

Tim: Whoa, someone has you!

John: It's a lady.

Tim: No it's not. Her hair is E.T.

Sheldon: No! No! Not E.T.! Kill! Kill! Kill E.T.! Glock E.T.!

John: This game is so confusing.

Kirk: No wonder it's the worst ever.


Anyone else feel old?

Anyone else up for a round of Pitfall?

Monday, January 10, 2005

The Secrets of Secret Dead Men (Third in a Series)

Yep, yet another jaw-dropping revelation about Secret Dead Men—now, by the way, available from both Amazons—US and UK!

Secret #3: SDM was originally a screenplay.

Flashback to late 1994: I was a 22-year-old punk kid from Northeast Philly. Didn’t know my arse from two loaves of bread sitting side-by-side on the kitchen counter. I’d been writing horror stories since I was 15, but to what end? I’d never finished a book-length manuscript. I was frustrated with myself. Professionally. Personally. Hygienically.

So I decided to write a screenplay.

I figured, at the very least, it was a step in the right direction. I mean, I’d taken a screenwriting course in college (taught by the sardonic Bill Wine, who some Philly TV fans might remember from the Fox Ten O’Clock News). I knew the deal; I was familiar with the format. All told, the sucker had to clock in at about 120 pages. No biggie.

As for a plot, no sweat, either. I had that weird femme fatale thing from the Billy Joel song. (See earlier embarassing post.)

Dig it: I was going to write a murder mystery screenplay.

So every night, after a long day of fact-checking at Philadelphia Magazine, I’d sit down in front of my battered Dell PC (bought used from a company that had gone bankrupt), fired up my bootleg copy of XYWrite, and started tapping away. I drank Rolling Rock pounders; I nuked frozen chicken patties. I wrote. And wrote. And wrote.

I had a deadline: there was a Philadelphia Screenwriting Competition, and I had visions of sweeping the thing.

After all, didn’t Bill Wine write on one of my class assignments: “I can’t tell if you’re a good writer, or a sick puppy, or a little of both”? (He did.)

So I wrote. And wrote. And wrote.

I included everything I thought belonged in a murder mystery: shootouts, knife-fights, sex, double-crosses, smackdowns, wise-ass dialogue, the whole nine.

I was on fire

By January 1995, I was almost finished. In fact, I remember that it was this exact weekend in January 1995, because that was when my future wife, Meredith Paul, came down to visit me in Philadelphia from upstate PA.

(A minor digression here: This was only the third time I’d ever seen Meredith. The first was in 1989, when my high school jazz band competed at her high school in Wilkes-Barre, PA. She was our tour guide. We hit it off; we traded addresses; she went home and told her mother “I met the man I’m going to marry.” I took a long bus ride home with my bandmates, who amused themselves by urinating into empty soda bottles, because Father Howarth had enough of our bullshit and refused to make a bathroom stop. Ah, high school. The second time was six months later, when I took a bus up to Wilkes-Barre—no, I didn’t need any soda bottles, thank you very much—and we walked around a Boscov’s department store for a couple of hours. It was our first date. We fell out of touch until 1994, when I took a chance and called. After some catching-up, she agreed to come down to Philly for a visit. We now return you to your regularly-scheduled blog entry.)

Meredith asked me, early on a Sunday morning, what I was working on. I told her.

She didn’t laugh. That’s when I realized I’d found the one.

Anyway, after a few more weeks of tinkering, I finished the screenplay, then entitled “Nobody Knows.” (This included me, hah hah, hee hee, hewwwww….) I mailed it off to the Philadelphia Screenwriting Competition. And…

Nada.

The big goose-egg.

I stuck it in a drawer and didn’t look at it again until three years later.

Kind of a bummer, huh? But for me, it was a taste of success: it was the first time I’d managed to tell a story on a canvas larger than 10 or 20 pages. It was a 120-page screenplay, for Chrissakes. Even Bill Wine would have to appreciate something like that.

And in 1998, I’d take that basic murder mystery plot and graft it onto this strange idea I had about Soul Collectors and Brain Hotels….

The result being Secret Dead Men.

I’m thinking about that weekend, exactly 10 years ago, and because this is the weekend that Secret Dead Men is available from various online booksellers. This morning I got up, and looked at my wife Meredith and our two kids, in our house in Northeast Philly (not too far from my old place in Pennypack Park, as a matter of fact), and thought back to early January 1995. When it started. All of it.

It’s as if God is tapping me on the shoulder.

Fucking spooky, if you ask me.

Sunday, January 09, 2005

Blood, American-Style

Want a sneak preview of the book some have called “too noir for America”?

Then point your browsers to the opening pages of Ken Bruen’s American Skin, a novel that's a fever-dream blend of Jerry Bruckheimer, Sam Peckinpah and Tobe Hooper.

The excerpt is part of a special "High Pulp" edition of Mississippi Review, edited by the great and powerful Anthony Neil Smith.

To paraphrase Billy Bob Thornton in Bad Santa: You’re not going to think right for a week.

Saturday, January 08, 2005

Mystery Paperback Fetish of the Week

Take a look at these Ace editions of two Cornell Woolrich suspense classics. To borrow a Ray Banks-ism: Ain't they sweet as a nut?

The Black Curtain


Deadline At Dawn

Friday, January 07, 2005

Donna Moore Appreciation Day? Nay!

I hereby deem it "Donna Moore Appreciation Week."

I appreciate Kafka (Ms. Moore if you're nasty) for many reasons: her humor, her talent, her support, her backblog postings.

But most if all, I appreciate the fact that she didn't rat me out during Edgars Week when a full pint of beer slipped from my fingers and shattered --quite spectacularly -- in front of Jason Starr.

Go, Kafka, go!

Thursday, January 06, 2005

The Secrets of Secret Dead Men (Second in a Series)

Here’s another shocking revelation about Secret Dead Men (cough, cough, soon available from Barnes & Noble, Amazon, and direct order through Wildside Press, cough, cough, hack!… ahem).

Anyway…

Secret #2: SDM was also inspired by Jim Warren, who gave us magazines such as...

Jim Warren

Warren is the Philadelphia-born genius behind Famous Monsters of Filmland, Creepy, Eerie and Vampirella, among other fine publications.

I could explain more, but why should I, considering that—by some strange coincidence—a profile of Mr. Warren by your Favorite Polish Blogger appears in today’s Philadelphia City Paper.

While I’m not old enough to be a first-generation Warren fan, I am the son of a dedicated Warren fan, and his love for the horror genre was passed on to me at a genetical level.

Which is why I decided to write a murder mystery from the perspective of a dead guy who collects souls. Go figure.

Could have been worse.

I could have written it from the perspective of Billy Joel.

Wednesday, January 05, 2005

Why I Love David Hale Smith

Literary agents are wonderful beings. They pimp your work. They ferret out new markets. They give you feedback on your work. They read through all of the boring parts in a book contract, so you don't have to. And sure, they ask for a small sliver of the action, but is that so big a price to pay?

Especially when you have an agent like mine, who stepped up to the plate to save my dignity?

David, that Billy Joel CD will be on its way today. God bless ya, man.

As Billy once said to Brother Ray, "I'm keeping the faith."

Tuesday, January 04, 2005

Captain Jack Will Get Him By Tonight...

As of 4:02 p.m., not a single person has claimed the Billy Joel CD I've offered.

Somewhere, the Piano Man is sobbing. Softly.

(Maybe I should have said that Secret Dead Men was inspired by Kelly Clarkson.)

Monday, January 03, 2005

The Secrets of Secret Dead Men (First in a Series)

Well, my first novel is due out any day now, so I'd thought I'd give you some DVD-style supplemental material on this here blog. You know—the behind-the-scenes crap nobody really cares about. (Except perhaps you, gentle reader.)

So what I have in mind is a series of shocking revelations about Secret Dead Men--available from Barnes & Noble on January 28th, according to their website.

How’s this for starters:

Secret #1: SDM was partially inspired by a Billy Joel song.

Yeah, long before he married a 12-year-old (or was it a 21-year-old?), before his divorce from the Uptown Girl, before he did his white man rap about “Homeless vets, AIDS, crack, Bernie Goetz,” Billy Joel released an album called 52nd Street.

52nd Street

It was the first album I ever purchased.

It was 1981; I was nine years old; sue me.

Back then, I used to watch the Tom Hanks sitcom classic Bosom Buddies, which was all about two men who dressed up in women’s clothes and ran a heroin ring out of some swank New York hotel. (I may have messed up a plot point or two; my apologies.) Anyway, the theme song was a peppy little number called "My Life."

Did a little research: found the song on 52nd Street. Christmas rolled around, and I used some scratch to buy the LP.

"My Life" was on there, of course, as was "Honesty," a song I really didn’t appreciate until years later. "Big Shot" was my first flash of what it must be like to party in New York City, though I was befuddled by the references to Dom Perignon and the "spoon up your nose."

Then came track five: "Stiletto."

It wasn't Billy’s biggest hit by any stretch, but it is a noir masterpiece. And like James Ellroy’s daymares about his murdered mother, its lyrics kick-started a series of strange noir fantasies in my nine-year-old brain. I didn’t know it at the time, but it was my first exposure to the idea of the “femme fatale”—the woman who could enter your life and fuck it up beyond recognition, and you’d love every moment of it.

I mean, what’s a nine-year-old supposed to do with these lyrics:

You’ve been slashed in the face
You’ve been left there to bleed
You want to run away
But you know you’re gonna stay
‘Cause she gives you what you need.


I started daydreaming. Like I do to this day, when I’m kicking around a plot for a story. But back then, I didn’t know that the material would end up as words on a page. I was just riffing; fantasizing.

I imaged a woman using a knife to cut a man to ribbons.

No: a stiletto.

(I even looked it up in the dictionary. It referred to a dagger and a type of high heel. Violence and sex. Day-um.)

Then I started wondering why she’d do something like that. Not because she was angry. No, the guy singing the song isn’t talking about an angry woman. She’s a woman who’s calculated, methodical. Maybe even enjoys her work.

Then she says she needs affection
While she searches for the vein


I started thinking about the guy. Liking it, at some level.

And that stiletto, slashing away.

Psychologists and educators and other experts tear out their hair, thinking about the negative effects of violent video games and music and movies on kids. But the thing that fucked me up the most? Billy Joel. Soft rock staple of the American airwaves.

If you read the opening chapters of Secret Dead Men, you’ll see my own version of the "Stiletto" drama, carefully shaped and molded in my brain over 18 years.

Yeah. Scary.

(Wait until you read the other "secrets." I’ve got some doozies in store.)

Anyway, if you’ve read this far, I think you deserve a prize. The first person to leave a comment wins a CD copy of 52nd Street, fresh from my own collection. (I just bought an enhanced version; you’ll receive the original CD release.) Just say “me first!” then e-mail me your contact info off-list and you’ll have a piece of Swierczynski history of your very own. Whoopdee-doo, right?

Coming Soon: How Secret Dead Men was inspired by the Care Bears Movie!

Saturday, January 01, 2005

Welcome, 2005

A Happy New Year to All.

(But does it bug anyone else that, halfway through the decade, we still don't have a nickname for it yet?)