I asked Brian Rogers, the Artistic Director of The Chocolate Factory, and choreographer Ivy Baldwin, whose “Here Rests Peggy” opened there yesterday (and runs through next week) a few questions about their relationship to the venue. To Brian: What does an artist like Ivy offer the field? Ivy (in my view) is one of the [...]
Culturebot contributor Aaron Mattocks caught up with JUSTIN BOND to talk about his upcoming show at The Kitchen, Justin Bond and the House of Whimsy: Re:Galli Blonde (A Sissy Fix)
Culturebot recently sat down with Sam Miller to learn more about the soon-to-launch Institute for Curatorial Practice in Performance at Wesleyan University.
Kathryn O’Shields is the documentarian for the 2010 Steampunk Haunted House and has contributed this essay to Culturebot.
Culturebot contributor Maura Donohue sat down for five questions with David Thomson who appears in Ralph Lemon's "How Can You Stay in the House All Day and Not Go Anywhere" at BAM this week.
Click below to view videos...
Posted on 26 October 2010
Palissimo Company commemorates the 21st Anniversary of the Velvet Revolution in Czechoslovakia with THE PAINTED BIRD | BASTARD PERFORMANCE PLUS AFTERPARTY on November 18th. Continue Reading
Posted on 26 October 2010
Former Culturebot Contributor Beatrice Barbareschi sends a note from London to recommend "The Red Shoes" at St. Ann's Warehouse November 19 - December 12. Continue Reading
Posted on 24 October 2010
Ishmael Houston-Jones' THEM at PS122 calls out a rousing alarm from the darkness of the AIDS crisis while Kidd Pivot's DARK MATTERS treads more lightly on the existential dark within. Continue Reading
Posted on 24 October 2010
Les SlovaKs Dance Collective made their NYC debut this past week with "Opening Night," a valentine to dance and national identity in a postmodern world. Continue Reading
Posted on 22 October 2010
The sort of stuff I thought about last night watching Chris Cochrane, Ishamel Houston-Jones, and Dennis Cooper's "Them" at PS 122. Continue Reading
Posted on 22 October 2010
The charms of Alain Platel's les Ballets C de la B. Continue Reading
Copyright © Culturebot.Original News Theme by 
.
