Sonicwarfare

Someone called doogsgordon on twitter passed me this link to an article about South Korean psyops pumping loud K-pop into North Korea in retaliation for the recent torpedo attack on an S.K battleship. Full story
here

S.Korea recently put up loudspeakers in 11 locations along the tense border to resume broadcasts that had been suspended in 2004. The installation of the loudspeakers amounted to “a direct declaration of a war” and a “flagrant violation” of the inter-Korean declaration for peace and reconciliation signed in 2000, the North’s statement went on.

“Therefore, the revolutionary armed forces of the DPRK will launch an all-out military strike to blow up the group’s means for the psychological warfare,” it said. The North has repeatedly threatened to strike down the loudspeakers if Seoul goes ahead with the broadcasts.

Tonight I am giving a presentation with Kodwo Eshun at the Homeworks Festival in Beirut, Lebanon.

The talk is entitled “Kriegsspiel 2.0: Immersion and Control in the military entertainment complex” and is basically about gaming and war. We will be discussing MIcrosoft’s Project Natal, Activision’s Modern Warfare 2, the films Brainstorm, Strange Days, eXistenZ, Southland Tales, Gamer and Harun Farocki’s Immersion.

Looking forward to the arrival of these babies in the post.

Download Ken Hollings Radio 3 feature on the military-entertainment complex, ‘From Gameboy to Armageddon’ here

Ken will be talking with me at the Sonic Warfare event organized by the Wire at Cafe Oto on Thursday 6th of May.

Here is the blurb:
“A new series of monthly salon-type events, hosted by The Wire magazine, and dedicated to the fine art and practice of thinking and talking about music. The evenings, which will take place on the first Thursday of each month, will consist of readings, discussions, panel debates, film screenings, DJ sets and even the occasional live performance.

For the second event in the series, author Ken Hollings (Welcome To Mars, Destroy All Monsters) and Steve Goodman (Kode9, Hyperdub), author of Sonic Warfare, discuss the uses and abuses of sound and noise in policing the urban environment, by the military-industrial complex, in the era of the soundclash, and beyond. “

Tonight I’m doing a talk about the book at the South Bank Centre in London as part of the Ether Festival.

Marcus at the Hyperdub Support Unit emailed me this link. Its a sad but true story from Somalia. Let hope the local Islamists haven’t read Russollo or Cage had the conception music expanded to include noises of gunfire, frogs or donkeys.

I can’t remember if I posted this before but here is an article from German newspaper Der Spiegel about the use of music as torture.

Also of note is Mark Fisher’s interesting reflections on militant music in the New Statesman here and his review in this months Wire magazine of the film Decoder.

I’ll be discussing SW in Paris today at the Nemo festival. . .more details here.

On my recent visit to San Francisco, I was delighted to hang out, eat burritos and chat with the owner of one of my favourite blogs on military urbanism Subtopia, Bryan Finoki, who in parallel with ex-Junior Boy, Jonny Dark, was kind enough to forward me these links about sound bullets.

‘Sound Bullets’ Could Blast Subs, Cancer

Sound bullets could treat cancers and replace ultrasound

Outside of the funny ones to be found on amazon, here is a few recent reviews/interviews of/about Sonic Warfare.

Dazed & Confused
Groove Magazine (in german)
Record Collector
Xlr8r Magazine
A2 (in Czech)

Interview I did about the book with Matt Fuller from early last year.

Lots of great bits of Matt’s writing can be found here, especially his interview with Mark Fisher.