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Spooky is a generic Harvey character, but the ghost next to him is a very specific design.
They are also cuter; they have big heads in proportion to their bodies. Some of the Harvey artists draw really tiny heads and eyes - which isn't very cartoony.




Here is a stark contrast between the Howie Post comic on the left and the other artist on the right. Bill White says it's Kremer, but then that makes me think someone else did the cover since that's in a different style.





Here is the dissected anatomy of a tree shaft - it's made of subordinate tubes that cling together to make the bigger form.
Here are some good and rude trees to practice hierarchy on.
These tree tumors look fun to draw. They lack shame.
Frazetta's approach to trees and hierarchy is similar to Post's. He doesn't paint every detail. Instead he suggests the major forms and some of the sub forms that crawl along the overall shape of the trees. Also like Post, he uses liberal and pleasing negative spaces to frame the solid objects in the compositions.

Frazetta's details are wrapped around the direction and form of the twisting tortured tubes of tree meat. Smooth buttocks help set off the rugged texture of the trees.
Trees compose around characters.

Howie's details - like the leaves and bark on the trees are swell, but they are subservient to the larger shapes in the composition. Post makes sure he arranges the biggest shapes in relationship to each other first: Tree, sky house, character, ground - all these balance really nicely against each other. Once he has that balance, he wraps the details around the larger shapes.
In that big fat solid tree, you can see how the main shaft of the tree is made up of crawling, writhing lesser tubes.
He draws great little compact cartoon cottages too. - made up of 2 major sub-forms: a stone block topped with a thatched roof. Then the windows, doors, bricks, wood frames and such follow the positions of the major forms.





















BREAKDOWNS OF HOW HOWIE ARRANGES HIS COMPOSITIONS
