Paperback 364: Cycle Fury / Reggie Car (Chevron 124)

Paperback 364: Chevron 124 (PBO, 1967)

Title: Cycle Fury
Author: Reggie Car
Cover artist: Uncredited

Yours for: $20


Best things about this cover:

• They don't look very "frenzied." They look pretty laid back. I mean, that one dude us calmly enjoying a smoke. Also, it appears he bought his kelly green Nazi t-shirt at Old Navy. Old German Navy.
• Take away the Nazi paraphernalia and the bike and put him next to Annie Lennox and the guy in the foreground really looks like Dave Stewart from Eurythmics.
• That girl's outfit is kind of cute.
• Is that a *black* Nazi biker in the background??? This must be from some future time when the Nazis get big into the idea of diversity.

Best things about this back cover:

• Given the front cover, I would not have expected whatever kind of abstract painting is going on up top there on the back cover. The subtle interplays of blue and gray do not exactly scream "lust-crazed motorcycle gang!"
• There's really no reason for type this tiny.
• "Zipper Hardy" — is there a pun in there that I'm missing? Also, I think his description is missing a dash between "mob" and "and"...
• "Ham!" That's the name of the "giant Negro!?" Oh, that's not racist at all.
• If you merged "Cycle Fury" and the musical "Cats" into yet another musical, "Cycle Cats," I would be first in line to see it.
• This back cover has the word "pedagogical" on it!!!!! I thought only academics who think the word "teaching" is too declassé used variations on the word "pedagogy." Now it appears those academics and trashy novels about Nazi bikers have something in common. Did Not see that coming.

Page 123~

Then she remembered the aphrodisiacally-centered cigarette she had shared with him.

I literally cannot pronounce "aphrodisiacally."

~RP

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Paperback 361: The Heart Is a Lonely Hunter / Carson McCullers (Penguin 596)

Paperback 361: Penguin 596 (1st ptg, 1946)

Title: The Heart Is a Lonely Hunter
Author: Carson McCullers
Cover artist: jonas

Yours for: $12


Best things about this cover:

• This looks like scraps from the picture file for a Monty Python animation sketch
• A rebus! I love these. OK, I'm going to say ... "Your heart cannot soar if your hands are chained ... and a kid sells fruit." Powerful stuff.
• Good example of the more abstract cover style of the '40s (jonas is legendary, and prolific)

Best things about this back cover:

• It's just a bio, so ... not much to say.
• Interesting how much focus is on her apparently surprising ability to treat "Negro" characters as if they were (news flash!) human beings. I guess that's all just in the Wright quote, but it stands out.
• This is my third "Heart Is a Lonely Hunter" cover. See also here and here.

Page 123~

Portia took up the Bible from the table in the center of the room. "What part you want to hear now, Grandpapa?"

"It all the book of the Holy Lord. Just any place your eye fall on will do."

~RP

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Paperback 358: The Heart Is a Lonely Hunter / Carson McCullers (Bantam A1091)

Paperback 358: Bantam A1091 (1st ptg, 1953)

Title: The Heart Is a Lonely Hunter
Author: Carson McCullers
Cover artist: Uncredited [faint signature on crease in bottom right corner looks like that of Mitchell Hooks]

Yours for: $8


Best things about this cover:

• Wow, that guy is selling it. Least appreciative audience Ever.
• I read this book twenty years ago and though I largely forget the plot I remember really liking it. I do, however, remember the first line, verbatim. "In the town there were two mutes, and they were always together." I think those are the mutes there: Tevye and the Undertaker.
• Little girl demonstrates that peculiar paperback phenomenon whereby people appear to be looking at things they could not possibly see from that angle—that man is both behind her *and* blocked by a man's belly.
• I like how the human beings are painted naturalistically but the surroundings are kind of surreal. I mean, look at that gray and white smear of a sidewalk. And that fire&brimstone sky.

Best things about this back cover:

• "Easy, girls, there's enough of me for both of you."
• LOVE her "Holy F*&^" expression.
• Not generally a fan of the multiple-scene cover—pick a scene and depict it, dammit, don't try to cram so much action into such a little space. Here, however, the paintings are discrete enough, and large enough, that there's not the usual feeling of chaos.
• No Pasadena Star-News blurbs here. All top tier publications.

Page 123~

"No. There was some definite thing you did that for. We been knowing each other a pretty long time, and I understand by now that you got a real reason for every single thing you ever do. Your mind runs by reasons instead of just wants. Now, you promised you'd tell me what it was, and I want to know."

~RP

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Paperback 357: Night Train / Kenneth Millar (Ross Macdonald) (Lion Library LL40)

Paperback 357: Lion Library LL40 (2nd ptg / 1st thus, 1955)

Title: Night Train
Author: Kenneth Millar
Cover artist: Samson Pollen

Yours for: $22


Best things about this cover:

• I think there is a single scene in this book that is set in a jazz club. Why they have completely de-crime-fictionized this cover, I don't know ("A Bold Story of Fierce Desire"??), but I'm glad they did—the painting is fantastic: vibrant and chaotic. You rarely see a black woman in the position of sexy dame on these covers—very nice.
• I like the guy right behind her—the guy you are very likely to miss if you're sucked into either the playing/dancing or the steamy glance between Ms. Bar Lady and Mr. Ne'er-Do-Well. The guy behind her—he's the one I want to know. He's either tailing that guy, or he's just thinking "Really? That guy? She must be working some angle..."
• Love the guy in the foreground with the cigar! He is sooo happy to have that cigar!
• What is up with the letter spacing on the tagline? Letters get closer together as title moves left to right. It's like a 3rd grader wrote it by hand and ran out of room as she approached the right margin
  

Best things about this back cover:

• This is (pretty much) the cover of the original Lion edition of this book (which I own ... hey, wait, I've already blogged it—it's here! Check out the art parallels)
• Ross Macdonald was (understandably) saddled with the "Chandler/Hammett" mantle early on in his career, and despite a period of phenomenal fame (peaking around 1970), he just wasn't the artist either Hammett or Chandler was, and hasn't had their longevity. I know I am in the minority here, but I'm not a big Macdonald fan; I especially don't care for the Lew Archer stuff. Archer's just a smarmy, dull, self-righteous Marlowe. A Not-Marlowe. A Marl-faux. Sadly, he's also the model for virtually every P.I. that came after him.
• There is more than a "trace" of Freud in Macdonald's work; when reading Macdonald, I often feel like I'm reading a novel whose sole purpose is to illustrate some concept from Psychology 101. If I remember correctly, though, this pre-Lew Archer stuff is pretty tight and entertaining.

Page 123~

Mrs. Tessinger was extraordinarily vivacious. Her bosom seemed higher than ever, and her waist tighter.

That's a nice, lecherous eye the narrator has there.

~RP

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Paperback 352: Me An' You / Jay Thomas Caldwell (Lion 220)

Paperback 352: Lion 220 (PBO, 1954)

Title: Me An' You
Author: Jay Thomas Caldwell
Cover artist: Uncredited

Yours for: $30


Best things about this front cover:

• "Grrr, Hulk hate ordinary kitchen chair. Prefer mid-century modern aesthetic. Grrrrrr... Hulk crush chair!"
• They promise a "two-fisted Negro," but I can see just the one fist. Rip-off.
• I think the white t-shirt was a late decision. Pretty sure he was originally depicted shirtless, but then censors were like "Dude, we're already pushing the interracial envelope on this one—put some clothes on the guy." Anyway, late-add would explain somewhat the remarkable definition visible even through the shirt.
• I love her bored expression: "What's shaking my chair? Oh, it's you ... I don't suppose you're a big shot yet?"
• Lots of telling details in this one—the liquor, the news headline, the pile of dirty dishes, and of course, the pervading aura of grime.
• I think I remember Robert Polito saying (in his Thompson bio) that Jay Thomas Caldwell was a black writer who died young, possibly in a bank hold-up. But I could be misremembering my details.

Best things about this back cover:

• Why in the world would you even get *on* "the long ladder of bitterness and bleak despair?" I imagine any direction on that thing is a bad one.
• I am a little worried about Irma.

Page 123~ (four pages from end of book)

"People I used to know in the fight game stop me on the street an' say, 'Tommy, I hear you're a preacher now.' Yes, I tell them. I'm workin' for the Lord now."

"AAAAmen!"

"Praise the LOOOrd!"

Well, I did not see that coming.

~RP

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57 Books from the University Book Sale: Books 30 and 31

Don't ask me why, but these two seemed to go together...

Title: The Old Man and the Boy — Crest d555 (1st ptg, 1962)
Author: Robert Ruark
Cover artist: N/A

Yours for: $5

• Imagine a simpler time ... when a book with a title like this wouldn't scream "pedophilia"
• Hey, look, it's the highly unasked-for and unauthorized sequel to "The Old Man and the Sea"
• "Long story short, I shot that boy and his head now hangs over my fireplace."
• "Straight from the exciting experiences ..." — please, please don't tell me.
• The real title of this book is "Tomatb Hlanho Edndey," which is Swahili for "White Man In Silly Clothes Thinks He's a Hunter"

• Please tell me that the guy with the spear is not "The Boy"
• Two things I don't want my reading material to be — "homespun" and "salty"
• "Smells?"
• "Everyday living" — imagine the kind of balls you'd have to have to use that phrase above that picture.
• Deciding his quarry was too fat and stupid to bring him honor, the warrior turned and walked slowly home.

Page 123:

The Willie was about half coaled out, and he was flopping and spluttering in the water.

I don't even know where to begin ...

*****

Title: How to Work with Tools & Wood — Pocket Books 1057 (1st ptg, April 1955)
Author: Fred Gross (ed.)
Cover artist: photo (Meyer Studios)

Yours for: $10

• I believe this is the sequel to "The Old Man and the Boy," wherein the old man takes the boy to see his dunge-... I mean, workshop.
• "Have you ever ... worked with wood, Billy?"

• This back cover is a relief, as it is mercifully dull instead of nightmarishly suggestive.

Page 123~

As the bottom is accessible from the end, it may be sawed out and then trimmed to line with the chisel if necessary.

That's some good handyman porn.

~RP

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57 Books from the University Book Sale: Book 26

Title: The Lost God & Other Adventure Stories
Author: John Russell
Cover artist: Uncredited

Yours for: $5

• A book about black people with bones in their noses worshiping the mysterious aquanautical god of the sea ... this is sure to be inoffensive!
• It took me so long to see what was going on in that lower right corner. I thought there was some weird dude in a white mask and owl poncho following the lead dancer. But the owl poncho is a shield and the white mask is the aquanaut's shin and what I thought was some odd hair/helmet is the head of a man who is looking for the contact lens he just lost.

• "Doubloons!" — this word is inherently amusing.
• "... have been favorably compared to ..." HA ha. Way to skirt the specifics. "These stories are reminiscent of Kipling and O. Henry, in that they are printed on paper and in English."

Page 123~

Ah, they were striking at each other's naked breasts, these two. With naked weapons. And neither of them shirked it. Not the girl, who sent back as good as she got—not Bibi-Ri, who took even that last terrible thrust.

Oh, Henry!

~RP

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Paperback 300: The Winds of Fear / Hodding Carter (Popular Library 300)

Paperback 300: Popular Library 300 (1st ptg, 1950)

Title: The Winds of Fear
Author: Hodding Carter
Cover artist: Rudolph "Creamy Skin" Belarski

Yours for: $23


Best things about this cover:

• "The Winds of Fear hurt my ears."
• That is the rackiest rack I've seen in a while. Those boobs look oddly fake for 50s boobs. Braless boobs of that magnitude should not do what those are doing, i.e. remaining perfectly taut and nearly perfectly spherical, defying gravity, etc.
• Not enough people are named "Hodding" these days. Damn shame.
• I can't tell if the sheriff is assaulting the poor black man with his heat vision, or if the black man shoots fire out his ears when he gets real angry.
• I usually avoid things that are both angry and probing...
• Complete and utter (and eerie) coincidence that "Paperback 300" is actually numbered 300.

Best things about this back cover:

• "KICKED OPEN," I say.
• "Cancy!" The absurd name train just won't stop runnin'.
• "A scheming honkytonk girl" — now we're talking.
• "Decent people protested ..." Why do I have a feeling I won't find them "decent"?

Page 123~

Colored boys from Carvell City and from near Carvell City were complaining of mistreatment and humiliation, or boasting from overseas of another world where white girls and sort of white girls in England and North Africa looked favorably on soldiers with dark skin.

"Sort of white girls" is a new category to me.

~RP

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Paperback 298: Call Me Deadly / Hal Braham (Graphic 152)

Paperback 298: Graphic 152 (PBO, 1957)

Title: Call Me Deadly
Author: Hal Braham
Cover artist: Walter Popp

Yours for: $30


Best things about this cover:

• Nearly everything — this is late 50s paperback gold. Love the weird cropping provided by the ornate frame, and then again by the beaded curtain! Then there's Fabulous Girl Art (killer dress), jazz guitar, mystery hand w/ gun, Broderick Crawford lookalike with fat cigar ... all in a tight, barely read paperback.
• The title is awesome in inverse proportion to the cover painting's awesomeness, i.e. the title is a sad, unimaginative rip-off of a Mickey Spillane title (movie version of which came out just a couple years before this novel). Paint brush font on "Deadly" is kind of cool, though.
  
• Love Graphic Novels for their (frequent) crediting of the cover artist on the publishing info page, though here you can actually see the artist's signature (right under "25c").
• Gun/vagina proximity here is oddly common. Here's a variation. There will be more. Maybe I should make "guncrotch" a label... oh, wait, it already is.

Best things about this back cover:

• See that red dot separating the paragraphs? It's like it was drilled into the cover with a bore. Deeply embossed. Weird as it sounds, it's the first thing about this cover that caught my eye.
• Love their dockside dancing! Put any energetic music on your iTunes and then look at this painting. They are totally dancing. Nothing else can explain what she's doing with her left hand (mysterious hand gestures ... seems like a recurrent theme).
• I love how the cover copy starts out campy and ends up in nearly incoherent lunacy.
• "... between them, an unholy shadow murmured: 'There's no way you can tightrope walk in that dress, Gini ... Go on, I dare you ...'"

Page 123~

She said finally, "So this is the lion's den. What do you do with your spare time, Dillon?"

I shrugged. "I have the television for sport, there are books and records. It depends."

"Gets a bit monotonous, doesn't it?"

"It does," I admitted.

This is like the "Don't" column from a 1950's "How To Pick Up Hot Chicks" manual.

~RP

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Paperback 297: Here Come Joe Mungin / Chalmers S. Murray (Bantam A1193)

Paperback 297: Bantam Giant A1193 (1st ptg, 1954)

Title: Here Come Joe Mungin
Author: Chalmers S. Murray
Cover artist: uncredited

Yours for: $50


Best things about this cover:

• Only a guy that big could get away with wearing something that ... let's say, flamboyant. "Yeah, I'm wearing a speckled salmon V-neck with a pink sash for a belt and pin-striped trousers. You wanna make somethin' of it?"
• Why is this book so pricey? It's a total mystery. Found one going for cheapish, but most are going $40-$90. "Rare in any condition." Why???
• "Chalmers" is a funny name. "Seymour!" (that's for "Simpsons" fans)
• I am disturbed by how long this guy is. I mean, from bottom of the V-neck to top of the head is an Eternity.

Best things about this back cover:

• Apparently what "Sea Island Negroes" like to do is get drunk and fight. Perhaps also have sex and play the barrel-drum. Nice.
• Again, I await the historian who can tell me why this book is 5-10 times more valuable than your average mid-50s Bantam.

Page 123~

"Joe Mungin, I 'most mad 'nough to knock you."
"Oh, don't tarrigate yourself. Here, take a drink. Too hot for fight, too hot for quarrel."

"Don't tarrigate yourself" is officially my new catchphrase.

~RP

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Paperbacks 284-287: The work of Clark Hulings

Sorry for missing Wednesday. First week of school had me a bit overwhelmed and I completely spaced. To make up for it — a glut of paperbacks. Four, to be precise, all featuring the cover art of Clark Hulings. I culled all the Hulings covers I had and scanned them at the request of someone producing an article on Hulings for Illustration magazine. Sadly, upon perusing the covers I have, there's no signature style that I can see, and no one cover that really makes you go 'wow.' They are all very typical mid '50s covers, but only "Savage Holiday" really gives Hulings a broad enough canvas to have a real artistic impact. The others crowd the cover with text and offer only tiny pictures — mostly free-floating heads. Cover for "Winesburg, Ohio" is about as dull and generic as they come. The clear WINner here is "The Brave, Bad Girls." Bold, bright design with fantastic background use of the familiar fedora'd and trenchcoated detective. Coincidentally (I assume), two of these covers deal with interracial themes.

Paperback 284: Lion Library 47 (PBO, 1954)

Title: Strange Barriers
Author: J. Vernon Shea (ed.)

Yours for: $12


Best things about this cover:

• "Strange Fruit" + "Racial Barriers" = "Strange Barriers"
• Given the tagline, this cover is *very* disappointing. Where's the tumult, I ask!?
• These heads are drawn in different styles, to different scales, with different textures ... we get it, they're different! There's a "barrier." etc.
• Mark Schorer?

Best things about this back cover:

• "I'm enthralled by his jazz trumpeting, but his shirtless gun-toting just makes me howl with laughter."
• Man, I really, really wish I knew what was going on in that last panel.

Paperback 285: Avon T-86 (PBO!!!?, 1954)

Title: Savage Holiday
Author: Richard Wright

Yours for: $25


Best things about this cover:

• Oh no, why is bed-headed Anthony Perkins attacking Lena Horne!?
• "I was just borrowing your Dick Tracy trenchcoat! I swear I was gonna put it back!"
• Love the random pseudo-japonesque pattern on those curtains.
• "I've made my decision, Steve. I choose the roses — not you."
• Her hands look very wrong — like she's got extra fingers or stubby fingers or fused fingers or something.

Best things about this back cover:

• The first and last time "The Yale Review" was used as a blurb on a paperback book.

Paperback 286: Signet 1304 (2nd ptg, 1956)

Title: Winesburg, Ohio
Author: Sherwood Anderson

Yours for: $8


Best things about this cover:

• "Breathe, damn you, breathe! Oh, why won't that doctor stop staring wistfully into the distance and get over here and help me!"

Best things about this back cover:

• Why is there no picture of "The girl who walked naked in the rain"!? Booooo!
• Thank god my neighbors "completely hide their private lives from" me. Barely repressed anger + miniature fainting couches (!?) = some crazy-ass !@#@ I don't need to know about.

Paperback 287: Perma Books M-3089 (1st ptg, 1957)

Title: The Brave, Bad Girls
Author: Thomas B. Dewey

Yours for: $9


Best things about this cover:

• Damned sticker pull!
• Red-on-yellow Totally makes this cover pop. Beautiful.
• Looove the expression on Girl 1 — nice, smug F@#$ You expression to complement the (in order) Just Woke Up, Meek and Scared, and Suicidally Depressed expressions of the others.

Best things about this back cover:

• "A Man! A Man, I say!"
• "A large pea?" — wtf? Like ... a marble? A dime? How big is a "large pea?" Are we talking freakishly, County-Fair-ribbon-winning large or what?
• Things Not To Say To A Lady You Just Met: "Just for tonight ... I wish you were seventeen."

Page 123~

• I was a friend of Karl Kadek's ("The Brave, Bold Girls")
• He took a cheap revolver from the case and began to wave it about. "You get out of here!" he shrieked. "We don't want any collar fasteners here!" ("Winesburg, Ohio")
• "On a Sunday morning?" There was a trace of scorn in his voice. "And what would he be doing barefooted?" ("Savage Holiday")
• Then he saw the hole in Jenny's side, right between the ribs. It was round, wet, red. ("Almos a Man" by Richard Wright —from "Strange Barriers")

Jenny is a mule, for the record.

~RP

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Paperback 246: The Disenchanted / Budd Schulberg (Bantam A1051)

Paperback 246: Bantam A1051 (1st ptg, 1952)

Title: The Disenchanted
Author: Budd Schulberg
Cover artist: Harry Schaare

Yours for: $11


Best things about this cover:

• Her pose! One shoe! Awesome. I think I love her.
  
• Book should be called "The Dissolute," or "Yeah, I'm Drunk, Whaddya Gonna Do About It, Ya Impotent Bastard? Get Me Another Martini"
• Harry Schaare Loves his Floating Heads — we'll see more in the future.
• Love the little maniacal dancing / jazz club scene in the background
• The novel may be set in the 20s, but these people are not believably from the 20s. Except for emaciated Clark Gable in a tux back there, hitting on the girl who's reclining on the hair of Floating Head. He's 20s all the way.
• "What Makes Sammy Run" is a classic Hollywood novel. Fantastic.

Best things about this back cover:

• LOVE the guy admiring the rack of his drunken lady friend, up-close! "Yes. These will do nicely."
• Toga party or religious visitation? "This angel came into my candle-lit room last night ... man, she was hot."
• I love Michener's precision — like he remembers exactly where he was, three years ago, when he read a novel better than this one.

Page 123~

When he finds out the commercial tie-up he feels like a jerk for having fallen for her. Then, in the finals of the ski-jump, he's injured.

~RP

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Paperback 206: So Low, So Lonely / Curtis Lucas (Lion Books 91)

Paperback 206: Lion Books 91 (PBO, 1952)

Title: So Low, So Lonely
Author: Curtis Lucas
Cover artist: Uncredited

Yours for: $20


Best things about this cover:

• "I'll leave you to your imaginary cup of coffee, then..."
• "A Negro Searches for Love in an Alien World" - "These earth women cannot satisfy me. Damn it [pounds fist on table], I'm going to Mars!"
• That guy is very tan or sooty from working in the mines or relaxing backstage at his one-man minstrel show, maybe, but "Negro?" More like an Italian guy who just finished bobbing for apples in chocolate milk.
• I've apparently hit the part of my collection that's vaguely organized. Two versions of "Cotton Comes to Harlem," two Ace Doubles by Elisabeth Sanxay Holding, and now the second of two early 50s titles by Curtis Lucas.
• This book is beat up and slightly water damaged but completely solid and intact, i.e. beautifully readable. It's got the well-worn, broken-in feel I like. It's also pretty rare - a Lion PBO with miscegenation themes. Hot.

Best things about this back cover:

• This book should be called "Carla's Way"
• Wait, which part was "wrong?" Wanting the white girl or stealing the money? The wording here confuses the issue very, very badly.
• Hey baby, I'm Curtis Lucas, and I will probe your torment with deep and uncompromising sincerity. Aw yeah.

Page 123~

He picked up his glass. She picked up her own glass, looked at it.

"You don't have to do that," he said.

For a moment she held her glass in mid-air, and her hand trembled. Then she smiled at him and they touched glasses. Both tilted their glasses.

If you love glasses, you'll love ... Curtis Lucas!

~RP

Paperback 205: Third Ward, Newark / Curtis Lucas (Lion Books 80)

Paperback 205: Lion Books 80 (1st ptg, 1952)

Title: Third Ward, Newark
Author: Curtis Lucas
Cover artist: Uncredited

Yours for: SOLD (3/12/09)


Best things about this cover:

• "Oh, U.S. 1, please don't leave me! I love you so much! You're the only .... one. For me."
• "... the jolt of her life!"??? Way to make a brutal rape sound like a caffeine high. Jeez.
• If those are her assailants, they're not fleeing very well. "Hurry, let's ... damn! My contact lens! Hang on, Pete."

Best things about this back cover:

• "Wonnie?" Really. That's almost as bad as "Mihie." Is naming characters really That challenging?
• Revenge! Sweet, now I want to read this. I hope it is less brutal than "I Spit On Your Grave," which I never saw, but just hearing about it made me kind of sick.
  
• She "ripened" on "filthy" "pavements." Like all the finest fruit. What an endearing portrayal of your heroine.
  
• "I'm sorry, honey, but I just can't sleep in such a comically small bed. There, there. Let's get out of the kid's furniture section and see what we can find."

Page 123~

Wonnie came back from the kitchen and sat beside Joe. "I'm gonna work here every night, Joe. I'm gonna cook all the corn bread and biscuits, and I'll cook greens with real seasoning in them. In a little while that white man over in the diner will lose all his customers to us."

Worst. Revenge. Ever.

~RP

Paperback 202: Cotton Comes to Harlem / Chester Himes (Dell 1513)

Back from Brooklyn and ready to drop some righteous cover art. Moving right along...

Paperback 202: Dell 1513 (1st ptg, 1966)

Title: Cotton Comes to Harlem
Author: Chester Himes
Cover artist: Harry Bennett

Yours for: $12


Best things about this cover:

• Lovely, delicate, enigmatic. I don't recall anyone having sex in a police station in this book, though police and sex were certainly involved, generally.
• Not a fan of the trend (over the course of the 60s) toward smaller art and bigger words.
• Harry Bennett is a prolific artist whom I most associate with PermaBooks from the late 50s through the mid-60s. His stuff is often more jagged and angular and rougher looking than this little painting would suggest.
• "Pinktoes" is (like a lot of Himes's work, in one way or another) pretty bawdy, and concerned specifically with the intersection of sex and race in American society. My copy of "Pinktoes" is in fact pink. You'll see.
• I just got some promotional postcards for the "Paperback Collectors Show & Sale" (Sunday, Mar. 29, 2009) in the mail last week, and the picture on them has eerie similarities to this Himes cover:
  

And now the back of "Cotton..."


Best things about this back cover:

• Ugh, words
• "The wildest of camps" - "Camps?" Plural? I'm familiar with this definition...

1. An affectation or appreciation of manners and tastes commonly thought to be artificial, vulgar, or banal.
2. Banality, vulgarity, or artificiality when deliberately affected or when appreciated for its humor: “Camp is popularity plus vulgarity plus innocence” (Indra Jahalani).

But I've never seen the word used that way in the plural. Interesting (to me alone, perhaps)

Page 23 (for Page 123, see Paperback 201):

He was a nondescript-looking man with black and white striped suspenders draped over a blue sport shirt and buttoned to old-fashioned, wide-legged dark brown pants. He looked like the born victim of a cheating wife.

~RP

P.S. One of the biggest thrills of the Crossword Puzzle Tournament this past weekend was having multiple people come up to me and tell me how much they loved this website. I get so happy when my poor, neglected baby blog gets some much-deserved attention. Hard for "Pop Sensation" to feel adequate when her big brother gets literally 50x the traffic she does. If this site were anywhere near as popular as my crossword site, I'd pass out from excitement. Crossword constructor Doug Peterson was kind and thoughtful enough to bring a gift for me to the tournament: a lurid paperback with a crosswordy cover. So look for a special write-up of that in the next week or so.

Paperback 201: Cotton Comes to Harlem / Chester Himes (Dell 1513)

Paperback 201: Dell 1513 (1st thus, 1970)

Title: Cotton Comes to Harlem
Author: Chester Himes
Cover artist: Robert McGinnis

Yours for: $30


Best things about this cover:

• This is the kind of cover I want to hang on my wall as a poster - vivid, unusual, stunning
• Love love love the 3D perspective on the preacher's hand, the Rolls grille, and the 45 magnum. Lots of great tiny details too, like the little silhouetted man about to run down the subway stairwell, or the cop caught naked with a paper bag over his head.
• In general, this style of cover art - many images crammed into a kind of composite bloc - is not my favorite. Always looks to me like it needs unpacking. You see the style a lot in late 60s / early 70s books. Here, I find the composition pleasing. Could be a little less busy, but the gun / 'fro / hand / Rolls give the picture distinct focal points and keep it from seeming like a morass of undifferentiated gunk.

Best things about this back cover:

• I really should rent this movie. Redd Foxx!? I did not know that Ossie Davis co-wrote and directed it.
• This movie is from the height of the Blaxploitation era.
• The novel has comical elements, but is also dead serious. Cotton, as in a bale of cotton (not some guy named Cotton) literally comes to Harlem. It's a long story. Needless to say, all kinds of themes of racial difference and oppression get played out in the book. It's really fantastic.

Page 123~

He didn't see anything unusual about the Chevrolet pulling out from the curb near Eighth Avenue; it looked just like any other hundreds of Chevrolets in Harlem - a poor man's Cadillac.

~RP

Paperback 199: Don't You Weep, Don't You Moan / Richard Coleman (Lion Library LL28)

Paperback 199: Lion Library LL28 (1st ptg, 1955)

Title: Don't You Weep, Don't You Moan
Author: Richard Coleman
Cover artist: Samson Pollen

Yours for: $8


Best things about this cover:

• "We'll make our first incision ... here."
• "I'm just putting the final touches on my remarkably realistic head sculpture. . . there. Done."
• "Do those shoes look shined to you, you incompetent !@#@#!"
• Can you tell I'm just trying to think of captions that don't involve her demanding oral sex.
• This woman could be the slightly classier sister of Tombolo lady. Derisive sneer. Half akimbo stance. Tramptacular outfit. Etc.
• I love the abrasion and fraying on this cover - really drives home the "raw desire"
• The song is "Don't You Weep, Don't You Mourn" - it's a Negro spiritual about delivery from oppression - which makes this title ... man, I don't know. I want to say "sacrilicious."
• Wait, is this lady black? Oh, dear lord, one of the interior blurbs discusses "the power of Negro emotions ... the raw, primitive passions, the splendid crudity ..." So the Charlotte Observer observes. The New York Times approaches the topic in characteristically elliptical and ironic fashion, mentioning the novel's "great color and variety."
• This novel's approach to coding / masking race is freaking me out, frankly. Check out the back cover:

Best things about this back cover:

• "swamp girl!"
• "seething b(l)ack streets!"
• OK, Washington Times, let me get this straight: Barbarity is at the top of the arc and brutality is at the bottom? "Sorry, blacks, you may go only as high as barbarity. At least it's beautiful barbarity. Be grateful."

Page 123~

"Dis sho is good fish," he said

~RP

Paperback 197: The Farmers Hotel / John O'Hara (Bantam 1594)

Paperback 197: Bantam 1594 (1st ptg, 1957)
Title: The Farmers Hotel
Author: John O'Hara
Cover artist: Barye Phillips

Yours for: $11


Best things about this cover:

• It's @#$#ing John O'Hara and the best blurb provider you can get is Book-Of-The-Month Club News!?!?
• The design on this cover is Fantastic. It's all a bit too cramped with text for my tastes, but the pictures, small though they are, are vivid and dramatic, and the use of color blocks to build a hotel-like structure - inspired! I especially like how "John O'Hara" functions visually like a chimney and the "S" in "Farmers" is hanging out there like a rain gutter.
• Hey, is that "Carrie Corrupted" sharing a drink with Joe Bow Tie? At first I thought that she was on her cell phone, but I think it's just a cigarette.
  
• Is the lady with the G.I. a. dead, b. really drunk, or c. looking at an airplane flying overhead? Her neck is oddly ... unhinged.
• You really don't want to check into the Red Room. That is the lesson I gather from this cover.
• Paperback publishers must have loved O'Hara. He was a writer of "legitimate" fiction who sold off the racks and could be made, with very little fudging, to sound like a writer of soft-core sex fiction. The fifties were all about trying to get glimpses of "brief, shocking intimacy" without being called a perv.

Best things about this back cover:

• The G.I. and his lady have moved to a small cabin and are now fighting / dancing.
• Love the campy, dramatic quotation from the Times!

Page 123~

The quiet of the room was almost total, but not peaceful.

~RP

Paperback 165: Omnibook, August 1945 (incl. excerpt of "Black Boy" by Richard Wright)

Paperback 165: Omnibook, August 1945

• Includes: "Authorized abridgments of four best-selling books," including "Black Boy" by Richard Wright - plus a "Back of the Book" essay by Bennett Cerf
• Cover artist: Stefan Salter

Yours for: $12


Best things about this cover:

• He's cyanotic! Clear! Stat! Seven cc's of ... something (my 1990s "e.r." lingo has run out)
• This painting is eerie and gorgeous. That kid is scaring the hell out of me, though. He does not look happy. He looks like he wants his lunch money back.
• I don't know if Salter intended for the kid's collar (the open neck part) to sort of kind of look like an outline of Africa, but either way - awesome.
• I have a student who looks just like this kid. Well, he's just dark black, not blue, but that combination of menace and wonder in the eyes - the likeness is startling. Sadly, said student is currently in maximum security prison.

Best things about this back cover:

• Hey, Bennett Cerf - I may know him from such game shows as "What's My Line?"
• This article is actually really engaging - too bad it's "to be continued" inside the magazine (where you can't see it).
• The cartoons in the corners are fabulous.
• This article is reminding me that I have Terry Teachout's bio of Mencken still waiting for me, unread, on the bookshelf downstairs. I basically live my life surrounded by books that are staring at me, disgusted at my never having read them.

Page 123~

from "Coming Home," By Lester Cohen:

There was something about Stell, he thought, if she kissed you, if it was the real thing to her, the rest just came with it.

"The rest?" What? Her lungs? Her lunch?

~RP

Paperback 47: Bantam 405

Paperback 47: Bantam 405 (1st ptg, 1948)

Title: The Hucksters
Author: Frederic Wakeman
Cover artist: Bernard D'Andrea


Best things about this cover:

• The Mysterious Hand of ... The Black Man
• "Uh ... Honey, did you order room service? You know how I hate being bothered when I'm doing my Word Finds!"
• "Don't look at me. I'm just harmlessly playing with this surreal toaster/radio while trying to keep my robe shut, even though it appears I am ogling the handsome porter who has just entered our doorway."

This cover is a miniature allegory of post-war race relations in America.

RP