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MOVIE CONSENSUS Chris Rock's comedic instincts are muted and the female characters are unsatisfactorily drawn in this uneven sex farce/domestic drama mashup.
MOVIE SYNOPSIS I THINK I LOVE MY WIFE, written, directed by and starring Chris Rock, is a sophisticated comedy about marriage and the lure of a new love. more...
MPAA RATING R, for pervasive language and some sexual content
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This insincere, even phony, film is so laugh-challenged that it practically defies its description as a romantic comedy. It's neither romantic nor funny.
The movie completes the trilogy of middlebrow ineptitude that began with Earth and continued through Head of State to Wife, the weakest of these puny pictures. It proves conclusively that a comically castrated Rock is useless.
It's good to see Rock in a semiserious role for once, but this glossy comedy of temptation overcome lacks any raison d'�tre. Profanity and obviousness are no substitute for the wit and subtle insights of the original film.
The most shocking thing about I Think I Love My Wife isn't the language, the sex, or the racial humor. It's the fact that it's not a funny movie. At all.
While the movie gets at a couple of truths about marriage, it's just not that funny. The pacing sags and the story-driven gags (including, ugh, a condom-buying scene where the clerk loudly discusses the purchase) don't sizzle.
Its source is not Rock's own material -- it's actually taken from a French New Wave movie called Chloe in the Afternoon, whose director, Eric Rohmer, had a knack for character that eludes Rock.
A tired reworking of The Seven Year Itch in which scripter Rock supplies star Rock with unfunny lines and dumb situations that director Rock stages without any style.
If Rock wants to ... spread his wings, fine. Just don't call it a comedy when it's something like I Think I Love My Wife. I don't think I love it much.
The film might be a wake-up call for couples not ready for the future, but it does a better job of enjoying temptation than saluting the strength to resist closing the deal.
I Think I Love My Wife is first and foremost a sex comedy. But Rock is sharp enough to set it in a world where people of all races share the same dreams and desires -- if not the same real estate.
As uneven as I Think I Love My Wife often is, it still has an emotional resonance lacking in most films about relationships. By dealing with temptation in even a quasi-realistic way, it affirms that, like comedy, monogamy is hard.
There are some raucous set pieces and a lot of frank, jokey talk about sex, but I Think I Love My Wife is not after crude or easy hilarity, and Mr. Rock works hard to hold his aggressive, irrepressible comic personality in check.
Rock has taken [Eric] Rohmer's marvelously probing, psychologically refined, exquisitely yakky, and deeply French movie and turned it into a coarse-talking, race-conscious, tonally challenged life-crisis comedy.
Rock finally provides hope he will develop into a genuine force on the big screen. The script is sharp and quick, and Rock's direction is sure-handed and occasionally inspired. He gives us a workday New York that feels real.
Rock fails to develop the characters caught in their conjugal and singleton traps. As usual, his observational humor zings (and stings) -- but this is a movie, not stand-up.
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