I want to give an official Secret Dead Blog round of applause (c’mon now, stand up, let’s put those hands together) to all of the recent award winners at B-Con, including
Kate Stine,
Laura Lippman,
Jason Starr, and most especially Ken Bruen—the “Pope of Galway Bay” to his friends.
Ken winning the Shamus was so perfect. For the non-mystery readers in the audience: the Shamus is annual award given by the
Private Eye Writers of America to the best new P.I. fiction in four categories: short story, novel, first novel, and paperback original.
The Guards certainly qualifies. The Jack Taylor books are the most raw, blisteringly powerful P.I. novels I've read since I picked up my first C.W. Sughrue. Jack ain't foolin' round, yo.
But I also think the Taylor series have something that eludes many other P.I. novels: crossover appeal. The proof? Let me introduce my wife, henceforth known as The Bride.
Now the Bride and I have opposite tastes on most things... to a comical degree. The Bride loves sauces, seasonings, condiments; I prefer things plain. The Bride is into vegetables; I'm not sure I've consumed one willingly since 1982. The Bride is a little bit country; I'm a little bit rock 'n roll. Our tastes are so opposite, whenever I buy a new bottle of wine, I pour her a sample first. If she wrinkles up her nose, I know I’m going to love it, and vice versa. It’s better than having an in-house sommelier.
Same goes for reading preferences. The Bride shies away from most things noir and crime; I can’t get enough of the stuff. (Yes, The Bride has read my two novels, and has claimed to like them, but temper this with the fact that I've fathered her two children. At least, I strongly suspect I have.) Anyway, when I started e-mailing Ken on a regular basis, The Bride wanted to sample his work. I thought, Oh boy. This’ll never work. I mean, this is
Ken Bruen we’re talking about here. It just doesn’t get any more noir than this.
I handed her
The Guards, and waited. With a smug expression on my face.
She
loved it.
She ran to my bookshelf—my personal noir stash!—and comandeered the next three Taylors.
Didn't she know there weren't "Oprah" stickers on the damned things? What the fuck was going on?
Actually, it made perfect sense. Yes, the Taylors are undeniably noir, but they're also infused with humanity, compassion, and a fiercely unique worldview. Ken's taken the best ingredients of multiple genres—from noir to the whiskey poets to mainstream lit—and served 'em up in a cocktail that goes down easy yet knocks you on your ass. The Bride got the same buzz I did, but probably for different reasons. Yet we both couldn't stop turning the pages. To me,
that's crossover appeal.
If only Ken would start making wine, our liquor bills would be slashed in half.
It's not a matter of Ken writing his "breakout" book; he's already there, at the top of his game. I'm just waiting for the rest of the world to clue in. Awards like the Shamus can only help spread the message.
(Of course, I have the last laugh. I've read the fifth Taylor in manuscript, and The Bride has not. Nanny nanny poo poo...)