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Because of Winn-Dixie
Now, what this has to do with the relative merits of a new movie aimed at pre-teens, of course, is a matter for sociologists and careful observers of human-animal interaction; but for our purposes, let's say the connection is both direct and metaphorical. Because Because of Winn-Dixie is not the movie audiences anticipate, even when it acquiesces to convention. Rather, it targets our expectations, satisfies them, and then twists them towards something a bit more strange, a bit more challenging, and ultimately, a bit more satisfying.
Newcomer AnnaSophia Robb stars as Opal, a newcomer to the quiet southern town of Naomi, Florida, who has trouble making friends with the local kids until she adopts a mutt she encounters in the local grocery store. Naming the pup Winn-Dixie in a moment of produce-section inspiration, Opal takes him home to her dad, the Preacher (Jeff Daniels), where he reluctantly offers him sanctuary for a few nights until they can find his rightful owners. What Opal and Winn-Dixie know, however, is that they were made expressly for each other, and no one is going to separate them under any circumstances.
On the outset, Winn-Dixie seems like something approximating the absolute most formulaic conceit that's cinematically possible; the theatrical preview advertises a dog whose smile is "enhanced" via the magic of computer graphics, and director Wayne Wang doesn't work too hard to dispel the notion that movies about kids and dogs are designed to appeal exclusively to those two groups. But once the gears of the plot start moving, the story takes on a complexity and depth that most family-oriented films just don't possess; Opal and the Preacher are without a mother and wife, for example, and it isn't until late in the film that a reveal is made why she left them (surprisingly enough, it's not because she died at the corner of Sainthood and Perfection).
Following the effective pathos of the characters' stories, there's the peanut butter, which makes the introduction of Opal, Winn-Dixie and Gloria that much cuter; it says a lot about the quality of a film when an easy joke works simply because it's placed in the right context. And then, of course, there's that bear and his prized copy of War and Peace; personally, I respect the fact that any animal much less an ornery grizzly would attempt to inject a kids film with such lofty literary underpinnings, tangential as they may ultimately be.
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